Tag Archives: Icart etchings

How can you tell if an etching is authentic?

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For the foreseeable future, I will publish once a week on Monday.

There isn’t much going on in the summer, so I’ve decided to reprint one of my most popular blogs, How can you tell if an etching is authentic?, published originally on 7/29/2009.

Louis Icart pulling a proof of Joy of Life from the etching press

Louis Icart pulling a proof of Joy of Life from the etching press

First one has to understand the process of producing an etching. The artist does his work on a copper plate, so the “original” is a copper plate that’s rarely for sale. To produce the image, the plate first is hand-inked. Then the paper is laid down on top and the two pass together through the etching press, under tremendous pressure. The pressure transfers the image to the paper. Since the copper plate has thickness, it “dents” the paper around the edge of the image. This “dent” is called a plate impression. You can see it and feel it around the edge of the plate. So #1. A real etching has a plate impression.

Since the process is not photographic and there is no printing press, there are no dots in the image. If you use a magnifying glass to look at a photograph in a newspaper, you can see the entire image is made up of dots. Use a magnifying glass with an original etching and there are no dots. So #2. An authentic etching does not have any dots in the image.

An authentic pencil signature of Louis Icart

After the edition is printed by the master printer, it is given back to the artist for hand-signing. Prints or other fakes have copies of the signature. So #3. Authentic etchings are hand-signed by the artist, usually in pencil.

The blindstamp of the Louis Icart Society

In the case of Louis Icart, a raised seal called a blindstamp, was created in mid-1926, and was usually found in the lower left corner, just below the image. Most Icart images produced after this time have the blindstamp, but don’t use this information as a crutch. There are some fake etchings that have fake blindstamps. And conversely, there are many authentic Icart etchings that do not have blindstamps. Supposedly the etchings without blindstamps were not for export from France, but personally I’ve found too many instances where this rule doesn’t pertain. If you’re still not sure, you need a professional appraisal.

Because of this post I have received many requests over the years for authentication of etchings by artists other than Louis Icart. I am only an expert in the works of Louis Icart, not other artists. So please, if you have questions about your etching, don’t send them to me. I really can’t help unless the artist is Louis Icart. And remember, there is a fee of $125 for authentications and/or appraisals.

The Baltimore Art, Antique & Jewelry Show is now only four weeks away, at the end of the summer, August 30 – September 2, 2018. We were forced to give up shows like Denver. Unfortunately the Baltimore show promoter has moved the show one week later than usual, to the Labor Day weekend. The show used to be held over the Labor Day weekend, but that was many years ago. The show is wonderful, so we’ll continue to exhibit there regardless of the change of dates.

We’re still very much in business between shows, so please don’t hesitate to email or call. I recently listed some of the new items on my website and will list more every week. Click Philip Chasen Antiques to take a look. I will make every effort to actively list new items as often as time permits. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Louis Icart oil paintings sell well at Heritage’s Art Nouveau & Art Deco auction, November 23, 2015

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Heritage Auctions held their Art Nouveau & Art Deco auction on November 23, 2015, with total sales of $1,244,618. Included in the sale were three original oil paintings by Louis Icart. As many of you probably know, the market in Louis Icart etchings has been soft for quite a few years. What you may not know is that the market for his oil paintings has fared better. The prices are nowhere near the peak of the late 1980s, when the Japanese were spending heavily on Icart, but otherwise the market has been relatively firm. Although Icart was a prolific artist, there are far fewer oil paintings in existence than etchings.

Louis Icart oil painting of his wife, Fanny Volmers, Heritage lot #60121

Louis Icart oil painting of his wife, Fanny Volmers, Heritage lot #60121

Top lot of the three was #60121, a Red Period oil of his wife Fanny, signed and dated 1919. It sold for $16,250, including buyer’s premium, against a pre-sale estimate of $12,000 — $18,000.

Louis Icart oil painting, Heritage lot #60133

Louis Icart oil painting, Heritage lot #60133

Second best of the three was a beautiful 1930s painting of two beautiful women with borzois, 19″ x 23½”. It sold above its high estimate of $9,000, realizing $12,500, including buyer’s premium.

For the complete results of the sale, including the top four lots by Tiffany Studios, click here. You will have to sign in (free) to see the prices realized.

I’ve been quite busy buying and selling recently, partly because I’ve listed many new items on my website. I will continue to list more daily. Please click here to take a look.

We’re still very much in business between shows, especially since there are fewer shows nowadays. Please don’t hesitate to email or call. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Christie’s South Kensington Interiors sale breathes new life into works by Louis Icart, February 19, 2013

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Christie’s South Kensington held an Interiors sale on February 19, 2013, with good results for works by Louis Icart. The auction house sold a diverse group of 33 items, including original works on canvas and paper, as well as etchings.

Louis Icart oil painting of Fanny, Christie's lot #465

Louis Icart oil painting of Fanny, Christie’s lot #465

Top lot of the group was #465, an original 1919 oil painting on canvas of Icart’s wife, Fanny. Even though the canvas was unstretched and in fairly poor condition, it tripled its pre-sale estimate of £3,000 – £5,000, to sell for £15,000 ($23,205) — an impressive result.

This Icart drawing was one of two in Christie's lot #479

This Icart drawing was one of two in Christie’s lot #479

Original, one-of-a-kind, works by Icart, including quick charcoal sketches, did very well at the sale. Three separate lots, that each included 2-3 drawings, all sold for the identical price of £6,875 ($10,636), for a range of $3,500 – $4,000 each. In each case, the result was many times the pre-sale estimate of £700 – £900.

Icart Femme Voilée, Christie's lot #473

Icart Femme Voilée, Christie’s lot #473

One of the most interesting lots of the sale was a signed, 17″ x 12″, pastel, charcoal and pencil drawing on paper, entitled Femme Voilée (Veiled Woman). The model is Icart’s wife, Fanny. To the best of my knowledge, this image was never made into an etching or a painting. Selling as lot #473, it realized £2,375 ($3,674), against a pre-sale estimate of £500 – £700.

Icart oil painting of the Flatiron Building in New York, Christie's lot #464

Icart oil painting of the Flatiron Building in New York, Christie’s lot #464

Another fascinating lot was #464, a Red Period, oil on canvas from 1923, depicting the famous Flatiron Building in New York. This would have been a great lot for any New Yorker who collected Icart. The canvas was unstretched and in only fair condition, but it still did OK, selling within the estimate of £3,000 – £5,000, realizing a final price of £3,250 ($5,028). It’s likely the painting would have fared much better if it had a pretty woman in the foreground.

For the complete results of the sale, click on the following link. Christie’s Interiors results.

Incredible Tiffany Favrile Cypriote vase, for sale at the show

Incredible Tiffany Favrile Cypriote vase, for sale at the show

Click this link to view some of the new objects I recently purchased and listed. Tiffany glass for sale. We always strive to offer the finest objects for sale on our website and at every show.

Fabulous, rare, Tiffany Favrile lamp with intaglio-carved insect

Fabulous, rare, Tiffany Favrile lamp with intaglio-carved insect

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and etchings by Louis Icart. Here’s the link. Philip Chasen Antiques.

Some good results at Bonham’s 20th Century Decorative Arts auction, December 11, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Every year all the major and many secondary auction houses hold a 20th century decorative arts auction in December. This year Bonham’s New York was the first of the majors. They held their 20th Century Decorative Arts auction on December 11, 2012. Christie’s was next (this Thursday’s blog) and Sotheby’s was last (next Monday’s blog). Bonham’s results were good, but not superlative.

Good Tiffany Studios 20-inch diameter Dogwood table lamp, Bonham's lot #2047

Good Tiffany Studios 20-inch diameter Dogwood table lamp, Bonham's lot #2047

Two Tiffany Studios lamps tied for top lot of the sale. #2047 was a nice 20″ diameter Dogwood. Estimated to sell for $80,000 – $120,000, it realized $104,500 — within the estimate.

Tiffany Studios Miniature Wisteria table lamp, Bonham's lot #2049

Tiffany Studios Miniature Wisteria table lamp, Bonham's lot #2049

Lot #2049 was a Tiffany Miniature (Pony) Wisteria lamp. It carried the same estimate as the Dogwood lamp and brought the same result.

Daum Nancy Blackbird and Frog vase, Bonham's lot #2072

Daum Nancy Blackbird and Frog vase, Bonham’s lot #2072

The top French cameo glass item of the sale was a rare 14¼” Daum Nancy blackbird and frog vase, lot #2072. It was bid well past the pre-sale estimate of $15,000 – $20,000 to a final price of $43,750, including the buyer’s premium. I thought it was ugly and wouldn’t have paid $5,000, but apparently two bidders disagreed with me. (They should have asked.)

For the complete results of the sale, click on the following link. Bonham’s 20th Century results.

I will be posting videos on YouTube of my lecture on French Cameo Glass to the Metropolitan Glass Club. I need some time to edit the videos. When they’re ready, I’ll put the link on my website and here in my blog.

Incredible Tiffany Favrile red decorated paperweight vase, just in

Incredible Tiffany Favrile red decorated paperweight vase, just in

Click this link to view some of the new objects I recently purchased and listed. Tiffany glass for sale. We always strive to offer the finest objects for sale on our website and at every show.

Fine Gallé clematis blownout vase, recently acquired

Fine Gallé clematis blownout vase, recently acquired

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and etchings by Louis Icart. Here’s the link. Philip Chasen Antiques.

The Chicago Summer Antiques Show begins this Friday, August 17, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

A view of the Donald E. Stephens Convention Center looking northeast, also showing Gibson’s Steakhouse

The summer antique show schedule is half over, with the stronger half about to come. The Chicago Summer Antiques Show will begin this Friday, August 17th, at noon, and continue until Sunday, August 19th, at 5 PM. It’s a show I look forward to for a few reasons. First is to see all of my many clients and friends in the greater Chicago area. Next is the convenience of a show in the Donald E. Stephens Convention Center in Rosemont, Illinois, very close to the airport. The convention center allows vehicles to drive into their booths, making setup and breakdown easier than many shows. The hotel is across the street and comfortable, with very good restaurants in walking distance. And last, but not least, is that business is usually very good in Chicago.

I will have a very fine selection of Martin Brothers stoneware at the shows

The show has gotten smaller over the years, but has managed to maintain a nice level of quality, with good exhibitors. Many of these same exhibitors will continue on to the big Baltimore show the following weekend, so this is a very good opportunity to get first crack at their offerings. Many antique shows are struggling, so it’s important to attend your favorite ones and consider making a purchase. The success and survival of your local antique show depends on your participation. That doesn’t mean your friend or neighbor, it means you! (AND your friend or neighbor) :>)

A fabulous, rare Schneider Art Deco vase with padded and wheel-carved poppies — one of several very fine examples

Personally, I will be bringing a very strong assortment of American and French glass and lamps. I’ve been very successful in making great purchases in the off-season of May to mid-July. Rarities in Daum, Gallé, Le Verre Francais, Schneider and Tiffany will be part of my display, as well as a strong selection of original Louis Icart etchings. I guarantee you’ll like what you see.

A view of a small part of the Baltimore Summer Antiques Show

Immediately following the Chicago show will be the important Baltimore Summer Antiques Show. It will start on Thursday, August 23rd, at noon and continue for four days until Sunday, August 26th, at 6 PM. This show is one of the best of the year, second only to the Original Miami Beach Antiques Show at the Miami Beach Convention Center in January. It’s big, with some of the world’s best exhibitors, and worth a trip from anywhere. Buyers fly in from Europe, Japan, South America, Canada, and all over the United States. The selection of hotels and restaurants is diverse and first-class. If you’ve never visited this show, I strongly recommend it. You’ll thank me.

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Just recently, I added about 15 new items. Here’s the link. chasenantiques.com

Goodbye, Los Angeles

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Sorry for the posting delay until Tuesday, but my laptop computer blue-screened, so I had to wait to return to New York to finish the post on my desktop computer.

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Saturday afternoon at my booth

It’s 5:30 PM on Saturday afternoon, as I compose my preliminary draft of Monday’s blog post. As of this minute, the title is Goodbye, Los Angeles. That could change by the end of the day on Sunday, and I hope it does. The Pasadena Antiques Show has been busier than last week’s Redondo Beach Antiques Show — more people, more questions, more sales, but not enough to warrant returning to Southern California. The total of all sales, as of this minute, is not enough to cover our expenses, let alone make a profit. If this were a local show, it would be fine, but the expenses of transporting our inventory from the East Coast to the West Coast are such that we need to do more business.

Defense of the Homeland, one of several Louis Icart etchings sold at the show

I’m writing this paragraph on Monday night and unfortunately the results did not allow me to change the title. We did some business on Sunday, but not enough to come back to Southern California in the foreseeable future, and that’s a shame. It was fun going for vacation for a week prior to the two shows in Southern California, with its glorious weather, but it wasn’t meant to be. Next summer we may return to do a show in the Midwest in July and also Birchwood Manor in New Jersey. Every year I have to adjust the calendar by deleting some shows and adding others. C’est la vie.

I tried to convince this visitor to the show to make a purchase, but had no luck

We’ll be back in New York for a week before we head to Chicago to exhibit at the Chicago Summer Antiques Show in Rosemont, IL. We’ve got so many clients and friends in Chicago, that it’s always a pleasure. The following week, we’ll be in Baltimore for the big, important Baltimore Summer Antiques Show. That’s one you shouldn’t miss. It’s huge and filled with some of the best exhibitors in the country (and the world). It’s worth a trip from anywhere. Visitors fly in from Japan, Europe and South America, as well as every part of the US. Baltimore is a fun city in the summer, so make your plans to visit. You’ll thank me.

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Just recently, I added about 15 new items. Here’s the link. chasenantiques.com

The Arlington Park Racetrack Antiques Show starts this Friday, April 13, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

The Arlington Park Racetrack Antiques Show starts this Friday, April 13, 2012, at 11 AM, and continues until Sunday, April 15, 2012, at 5 PM. It’s a small, but very nice show, with a diverse selection of quality dealers. We have many friends in the greater Chicago area so it’s a pleasure to return after not having exhibited there since last November. We’ve been doing Chicago shows for so many years that it feels like home.

A very fine Tiffany Studios 10-light lily table lamp (one of two)

I’ve been buying up a storm, so I’ll be bringing my new purchases, which include Tiffany lamps, glass and metalware, outstanding Daum Nancy and Gallé glass, a Le Verre Francais lizard vase, a nice selection of Martin Bros. stoneware, a wonderful Pairpoint puffy lamp, delightful American illustrator paintings, and a great selection of Icart etchings.

A rare and wonderful Daum Nancy egg with swan decoration

The French cameo glass market has been good, with rare items selling strongly at auction. Click on this link to read my blog about the 10″ Daum Nancy blackbird vase that was sold last month at Christie’s for $40,000. Christie’s results blog.

Wonderful Joe Hennesy oil on canvas cover illustration

I just bought a group of nine American illustrator paintings, one better than another. I’ll have them all at the show.

Have I given you enough reasons yet to visit the show? Make sure to stop by my booth and introduce yourself. I want to know what you’d like to buy, sell or trade.

Our next show will be at the Merchandise Mart, in downtown Chicago, Friday-Sunday, April 27-30. It’s Chicago’s best show, and one of the best shows in the entire country. There will be great exhibitors, many of whom exhibit at very few shows a year. It’s worth a trip from anywhere.
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One of the rarest and most beautiful of all Louis Icart etchings, Mardi Gras

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Here’s the link. chasenantiques.com

There was action at the NYC Pier Antiques Show, March 17-18, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Big crowds lined up on Saturday morning for the opening of the show

Stella Show Management held their semi-annual NYC Pier Antiques Show this past weekend, March 17-18, 2012, with generally excellent results.

Some of the Saturday crowd

Attendance was excellent on opening day, Saturday. Interest was heavy and sales commensurate. My booth was the busiest it’s been at any show I can think of in the last 10 years. At one point in the morning, there were six bona fide buyers in my booth, all wanting my attention at the same time. My friend Tony and I could not handle the questions fast enough. I didn’t even realize I hadn’t eaten lunch until about 3:15 PM, when there was a break of five minutes. It was a good day by the time it ended at 6 PM, but I was frazzled and needed a drink.

My booth

Sunday was another story. The show opened at 10 AM (a big mistake). Nobody gets to a show early on Sunday, so it would have made good business sense to open at 11 AM. The number of attendees would have been the same by the end of the day. Everyone would have sold the same. The only difference would have been that the dealers (and the staff) would have gotten a needed extra hour of rest. (Irene. Are you listening? Please open the next show at 11 AM on Sunday. Everyone will thank you. I promise.)

One of the fine Tiffany Studios items sold at the show

Where was I before my rant? Oh, Sunday. Attendance was lighter on Sunday, but still pretty decent. The pace of the day was much more manageable and sales continued for me. How’s this comparison? The Original Miami Beach Antiques Show in February was a good show. It had a two-day setup and five-day public opening. For significantly lower expenses and a much smaller time commitment, I did 85% of the business at the Pier show that I did at the Miami Beach show. That’s quite an accomplishment. For me, it was the best show I’ve had at the Pier in many years. (And that was with two of my best NYC clients not buying anything from me.) Sales were diverse, from Tiffany glass and a lamp and an inkwell, to French cameo glass, to Icart etchings.

The Fashion Alley section of the show

In asking around to many dealers, I got the following responses. A dealer in Art Deco furnishings, jewelry and furniture, told me she had the best Pier show in many years. (Sound familiar?) A dealer in furniture and bronze exhibited at the Pier show for the first time. Many, many items in his booth were marked sold, and this was after a fabulous show in Miami Beach. He told the show promoter, Irene Stella, that he’s looking forward to the next Pier show. A couple of dealers in art glass said they had decent, but not exceptional, shows. A dealer in lamps said his show was good with sales of both lamps and glass. Two other glass dealers told me they had good shows. Most responses were favorable.

But no one show has all winners. One new dealer in lamps told me his total sales were zero (ouch!). Another dealer told me that most of the dealers he had spoken to had poor shows. Who did he speak to? They definitely weren’t the ones I spoke to.

If I add up all of the anecdotal information I’ve been gathering at antique shows, auctions, and general scuttlebutt, the market in antiques is really heating up. For example, my friend, Jim Julia, just had a gun and knife auction last week. He’s had some great sales, averaging about $10 million. His best gun sale to date grossed $12 million. Last week’s sale hit $18 million. According to Dudley Browne, the lamp and glass coordinator, people were throwing money at some of the items. Bidding was wild and wooly. It just warms the cockles of my heart.

One of the more interesting booths at the show that make it so eclectic

The next NYC Pier Antiques Show is scheduled for November 17-18, 2012. If I were you, I’d starting making my plans now. You won’t want to miss it.

Our next show is the The Whitman Coin & Collectibles Expo, at the Baltimore Convention Center this coming week, March 22-24. It’s an experiment that I hope will work. I’ll be the only antiques exhibitor at the show. If the dealers and the public are in a good mood, I may wind up making some sales. Keep your fingers crossed. I’ll keep you posted.
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Fine Gallé blownout plum vase

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Here’s the link. chasenantiques.com

Great results for Louis Icart and the rest of the Milhous Collection at RM Auctions, February 24-25, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

The auction is underway

RM Auctions, in association with Sotheby’s, held an auction of the Milhous Collection of musical instruments, cars and collectibles, at the Milhous Museum in Boca Raton, Florida on February 24th and 25th, 2012. The auction was strong, with individual eye-popping results. Total sales were $38.3 million with 100% of the items selling – a superb result.

The museum was not open to the public, but I had the privilege of visiting about 15 years ago, when I sold five Louis Icart etchings to Paul Milhous. Wow, what a museum — filled with classic antique automobiles and the most amazing selection of meticulously restored orchestrions, assembled from all over the world. The music was fantastic, just like the best merry-go-round you’ve ever been on.

Original Louis Icart etching - Leda and the Swan, RM Auctions lot #364

Louis Icart etchings were a tiny part of the auction, but since I sold them to him, I’m mentioning them first. I’m happy to report they all did great! When was the last time you heard of superb prices for Louis Icart etchings at auction? It’s been a while. I hope this is the start of a new leg up in the market. Lot #364 was Leda and the Swan. It sold for a whopping $21,850, against a pre-sale estimate of $5,000-$7,000. Other great Icart results were Lilies, $9,200; Orchids, $9,200; Speed II, $7,475; and Waltz Echoes, $8,625. If you would like to purchase any of the same etchings, framed in the same 24K gold leaf frames, for a fraction of the price, please contact me. 516-922-2090 or philchasen@gmail.com.

1912 Limited Five-Passenger Touring Oldsmobile, RM Auctions lot #823

Top lot of the auction was a 1912 Limited Five-Passenger Touring Oldsmobile, sold as lot #823. It doubled its pre-sale estimate of $1,400,000-$1,600,000, to sell for $3,300,000.

1903 Ruth Style 38-B Fair Organ, RM Auctions lot #784

The top orchestrion in the sale was lot #784, a 1903 Ruth Style 38-B Fair Organ by A. Ruth & Söhne from Waldkirch, Germany. It sold for $1,265,000, within the pre-sale estimate of $1,000,000-$1,200,000. On a personal note, I tried buying one of the player pianos, but prices were too strong for me. Drats!

For the complete results of this extraordinary auction, click on the following link. The Milhous Collection results.

Our next show is the Pier Show in New York City on the weekend of March 17th and 18th. It’s always fun, so start planning your trip to the Big Apple!

In the meantime, we’re still in business, so don’t be bashful. Call or write!
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Very fine Daum blownout scenic vase with wheel-carved detail

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Here’s the link. chasenantiques.com

The results of the Original Miami Beach Antiques Show, February 2-6, 2012

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My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday. This coming Monday’s blog will be about some amazing results at Doyle’s Belle Epoque auction.

Monday afternoon in my aisle

The Original Miami Beach Antiques Show opened on Thursday, February 2nd, and ended yesterday, February 6th. After speaking to many dealers, I can report the results as good to excellent. One dealer I didn’t know visited my booth unsolicited. He told me he reads my blog regularly and wanted me to know that his results were already excellent and it was only Friday.

A dealer in furniture and bronze told me he finally hit his “magic” number. It was pretty easy to figure out the magic number was $1 million. Now that’s an eye-popping show. I’ve heard of other dealers selling $500,000 to $750,000, but never $1 million. Kudos for a great show!

My booth

Attendance at the opening on Thursday was very good. A dealer told me he thought there 1000 people waiting at the front door at noon (perhaps an exaggeration). First day sales are usually best, because that’s when the most motivated buyers come. Personally the first day was best. Attendance, interest and sales seem to drop on a daily basis, as the least motivated buyers come into the show at the end. Overall, my show was very good — I’ve had some better and many worse. Interest was best in Pairpoint puffy lamps, French cameo glass and Icart etchings (a result I couldn’t have predicted).

Back to the other dealers. Most were very satisfied with their results. A few said excellent, most said good, and very few said fair to poor.

Another view of my booth

The show ended on Monday, and for the life of me, I can’t figure out why. There are almost no buyers on Monday, and the few that were there could easily have made up their minds on Sunday. To make things worse, the show ended at 6 PM on Monday, instead of 5 PM, or better yet, 4 PM. Management made announcements not to pack early, but there was no one there, so why not? 75% of the dealers were packing early. Eliminate Monday from the show and everyone will be happier. The results will be the same — same attendance, same sales. The only difference is that everyone will be spared an unnecessary day at the show.

There’s only one more show for us in Florida and that’s the important Palm Beach Jewelry, Art & Antique Show. It runs from February 18 to February 21 and has some of the best dealers in the world exhibiting.

We’re off this week and it couldn’t come at a better time. We’re still in business, so don’t be bashful. Call or write!

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Is this Daum creamer fantastic or what? Just in.

Look around my website. There are many items for sale, sold items with prices and free lessons about glass and lamps. I regularly add Tiffany vases, lamps and desk accessories, as well as French cameo glass by Galle and Daum Nancy and Louis Icart etchings. Here’s the link. chasenantiques.com