The results of the Morristown Armory Antiques Show, November 1-2, 2014

Posted on November 3, 2014 by Philip Chasen

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Sunday afternoon in front of my booth

The Morristown Armory Antiques Show finished yesterday, November 2nd, after a brief two-day run. I had vowed after the last Morristown show not to return, but Allison Kohler, the show promoter, convinced me otherwise. Unfortunately, she won’t be able to convince me the next time.

This Quezal shade was sold at the show

Attendance was moderate for a small show, but there weren’t enough strong buyers. My inventory was light-years beyond the other dealers, so we needed the well-heeled attendees to step up to the plate to make it worthwhile. I made a few small sales, so it’s possible we broke even, but I have better things to do than break even after all the time, energy and money invested. It’s a shame. Allison Kohler is a good promoter and I like to do her shows, but business is business. If I can’t do enough business to earn a buck, I can’t come back. So as of now, I’ve sworn off the whole state of New Jersey and would only return for some extraordinary circumstance.

We’ll be in Winnetka this week, a suburb of Chicago, for the Antiques + Modernism Winnetka show. That will be followed by the Kansas City Antiques Expo, and then our final show of 2014, back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog.

Click here to view our new website and look around. We always strive to offer the finest objects for sale on our website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps.

The Morristown Armory Antiques Show will open this Saturday, November 1, 2014

Posted on October 27, 2014 by Philip Chasen

The Morristown Armory Antiques Show will open this Saturday, November 1st, at 10 AM and close on Sunday, November 2nd, at 5 PM. The Morristown Armory is a nice facility, just outside of town, with plenty of parking. Setup is easy with vehicles allowed to drive right up to their booths. It’s a quick show, with immediate results — either you did well or not. The quality of the show is usually quite good, so it’s worth a trip from anywhere in the greater NY, NJ, CT, or PA area.

We’ll have this fabulous Martin Brothers bird at the show

We’ll be bringing some outstanding new objects that we’ve just recently acquired, including a fabulous Martin Brothers bird — the first one in a long time. Additionally, we’ll have new Tiffany Studios lamps, including two fine Linenfold examples, a wonderful 18″ Handel scenic lamp, a Daum Nancy scenic blownout vase, an Amphora portrait vase, English cameo vases, and numerous other items. It will be one of the best displays we’ve ever done.

We’ll also have this gorgeous Handel 18″ scenic lamp at the show

Our next show, of four in a row, will be the Antiques + Modernism Winnetka show, in a suburb of Chicago. That will be followed by the Kansas City Antiques Expo, and then our final show of 2014, back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. Tune in Monday for the results of the Morristown Armory Antiques Show.

Good results at Rago Auction’s Early 20th Century Decorative Arts Auction, October 18, 2014

Posted on October 23, 2014 by Philip Chasen

Rago Auctions held their Early 20th Century Decorative Arts Auction on October 18, 2014, with some good results, led by items from Newcomb College and Emile Gallé.

Newcomb College five-tile frieze, Rago lot #99

Top lot of the sale was a tie between lot 99, a five-tile Newcomb College frieze and lot 286, a Gallé lamp. Each went out the door at $81,250. That price was below the low estimate of $75,000 for the Newcomb tiles, but above the high estimate of $60,000 for the Gallé lamp.

Rare Gallé lamp, Rago lot #286

Tiffany Studios 22″ Drop-Head Dragonfly floor lamp, Rago lot #312

Several Tiffany Studios lamps were sold, mostly low-end. The exception was a Tiffany Studios 22″ Drop-Head Dragonfly floor lamp, consigned by the Los Angeles County Museum of Art. The color was only fair and there were a few minor condition issues, but the lamp still sold near the low estimate of $60,000, realizing $68,750, including buyer’s premium.

For the complete results of the sale, click here.

Our first show of four in a row will be held next weekend in New Jersey at the Morristown Armory, November 1-2. Then we travel to Chicago for the Antiques + Modernism Winnetka show, followed by the Kansas City Antiques Expo, ending up back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. We’ll spend a lot of time finding some great new items for our November circuit.

Some good results at Freeman’s English & Continental Furniture & Decorative Arts sale, October 7, 2014

Posted on October 16, 2014 by Philip Chasen

Freeman’s of Philadelphia, PA held its English & Continental Furniture & Decorative Arts sale on October 7, 2014. Included in the sale was a section entitled 20th Century Design including Fine Daum, Gallé & Loetz Glass, fresh from estates, with very conservative estimates and reserves. That’s always a combination that bodes well.

Daum Bird & Frog vase, Freeman's lot #430

Daum Blackbird & Frog vase, Freeman’s lot #430

Top lot of this group was a Daum Blackbird & Frog vase. It flew past its pre-sale estimate of $2,000 – $4,000 to realize $16,250 (buyer’s premium included). While that may seem like a good result, the identical vase sold at Bonham’s New York in December, 2012 for $43,750 (against a pre-sale estimate of $15,000 – $20,000). What explains the difference? In my opinion, two people got carried away at Bonham’s in 2012. $43,750 for this vase just sounds over the top.

Rare Loetz Black Bottom vase, Freeman’s lot #460

Lot # 460 was a small (4″ tall), but rare, Loetz Black Bottom vase, estimated to sell for $1,500 – $2,500. I tried to buy it, but couldn’t when the price went into retail territory. The final result was $8,960 (buyer’s premium included).

For the complete results of the sale, click here.

No shows until November, when we have four in a row. We’ll start in New Jersey at the Morristown Armory, then travel to Chicago for the Antiques + Modernism Winnetka show, followed by the Kansas City Antiques Expo, ending up back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. We’ll spend a lot of time finding some great new items for our November circuit.

Tiffany Studios lamps sell well at Doyle’s Belle Epoque sale, September 23, 2014

Posted on October 9, 2014 by Philip Chasen

Doyle New York held its Belle Epoque sale on September 23, 2014. Included in the sale were several Tiffany Studios lamps, which performed well as a group.

Tiffany Studios Dragonfly table lamp, Doyle lot #533

Top lot of the sale was a Tiffany Studios 20″ diameter Dragonfly table lamp, deaccessioned by the Boston Museum of Fine Arts. With impeccable provenance, and a beautiful shade, the lamp did not disappoint. Selling as lot #533, it realized $87,500 (including buyer’s premium), against a pre-sale estimate of $50,000-$70,000.

Rare Tiffany Studios Fern table lamp, Doyle lot #525

While the result for lot #533 could have easily been predicted, the result for lot #525 was completely unexpected. It was a small Tiffany Studios table lamp with a rare Fern base and a 10″ diameter Pine Needle shade, totally damaged. It was expected to sell in the $1,200-$1,800 range, but sold for $31,250 — about 14 times the high estimate. So what was the deal? I spoke to the successful bidder, a collector/dealer, who answered, “When was the last time you saw this base for sale?” It was very rare and he was determined to buy it, no matter what. I imagine he’ll replace the shade with a top-notch Favrile glass shade.

For the rest of the Tiffany lamps and the complete results of the sale, first click here and then choose the September 23, 2014 Belle Epoque sale from the drop-down menu.

Why Do Vases Sell for More Than Bowls?

Posted on October 6, 2014 by Philip Chasen

Today’s guest post is by David Rago, republished with permission from Bidsquare. David Rago is Partner and Co-Director of the 20th/21st C. Design Department of the Rago Arts & Auction Center in Lambertville, New Jersey.

Unless you’re selling gold ingots or diamonds, most fine objects don’t have intrinsic monetary value. So why would anyone pay tens of thousands of dollars for a Tiffany vase? To truly understand value, you have to understand the mindset of a collector.

Tiffany Studios, Fine Favrile pottery bowl with tomatoes, green and ivory glaze, New York, ca. 1900. Sale Price: $13,750, Rago Arts & Auction Center

Tiffany Studios, Rare glazed earthenware milkweed vase, New York, 1900s. Sale Price: $42,500, Rago Arts & Auction Center

Let’s start by comparing vases and bowls. To simplify this exercise, assume you have a bowl and a vase made of the same material (pottery or glass, for example) by the same company, the same year, decorated by the same artist or one of similar value, in the same condition, and even the same size, though one is measured in height and the other in width. We’re pretty much talking about the same piece with that one notable exception. Would the value really be different?

Grueby, Large low bowl carved with leaves, Boston, MA, ca. 1905. Sale Price: $1,625, Rago Arts & Auction Center

Grueby, Vase with buds and leaves, Boston, MA, ca. 1905. Sale Price: $2,125, Rago Arts & Auction Center

For starters, a bowl takes up nearly twice as much space on a collector’s shelf than a vase. Few people have unlimited yardage in their china cabinets or fireplace mantels, and many collectors eventually trade bowls for thinner works.

Second, and this is no small factor, a bowl doesn’t show off an artist’s work as well as a vase. If you don’t have a vase and a bowl sitting in front of you, envision how the vertical flow of the artistry is easier to read on a vase. Even if an artist “works with the form” when decorating a bowl, choosing a trailing vine or a lyrical floral design, the decoration has to wind around the bottom of the piece, at best rising just a few inches above the shelf.

Additionally, because most bowls flare as they rise, and since most light sources shine from above, the decoration on a bowl is usually not lit nearly as well as it would be on a vase form. A collector has to be very sensitive to lighting and placement to show off a bowl properly if for no other reason than this.

Unusual Rookwood Wax Matte bowl painted by Louise Abel with red blossoms on a mustard ground, the interior covered in a mottled burnt sienna glaze, 1924. Sale Price: $764, Rago Arts & Auction Center

Rookwood Wax Matte vase painted by Mary Helen McDonald and/or Louise Abel with purple nicotina plants on a raspberry ground, 1922. Sale Price: $1,920, Rago Arts & Auction Center

Finally, bowls are more easily damaged than vases. A blow from above will often glance off of a straight sided vase. But the shape of a bowl, broad and flat, will often absorb the same level of impact, resulting in a chip or a crack. And bowls are more often employed in a way that can increase the likelihood of benign neglect. How many people have you seen force narcissus bulbs in a vase? Bowls are often available with flower frogs for this express purpose. The safest place for a valuable pot is in a cabinet or a high shelf, not the dining room table.

Some good results at Cottone’s Fine Art & Antique auction, September 26-27, 2014

Posted on October 2, 2014 by Philip Chasen

Tiffany Studios Angel of Resurrection window, Cottone lot #504

Cottone’s held their Fine Art & Antique auction this past weekend, September 26-27, 2014, with some good results. Top lot of the sale was a Tiffany Studios memorial window, Angel of Resurrection from the Church of the Redeemer in upstate Newark, NY. It exceeded its high estimate of $60,000 to realize $71,300, including buyer’s premium.

Tiffany Studios Poppy table lamp, Cottone lot #502

The second highest lot of the sale was another Tiffany Studios item – a 17″ diameter Poppy table lamp. Fresh to the market, the estimate seemed fair, $60,000-$80,000, especially with an important blownout base. To my surprise, it sold for the low estimate of $60,000, plus buyer’s premium ($69,000). Sounded like a deal to me.

Martin Brothers bird, Cottone lot #539

Martin Brothers birds continued on a decade’s-long flight up. A 10″ bird with lots of character (and some damage) soared past its pre-sale estimate of $7,000-$10,000 to realize $60,950.

There were bargains to be had, but unfortunately I was asleep at the switch. I was so preoccupied with the antique show this past weekend that the auction totally slipped my mind. Too bad, because I could have bought some fine items at reasonable prices. For the complete results of the sale, click here.

The results of the NYC Big Flea Market, September 27-28, 2014

Posted on September 29, 2014 by Philip Chasen

There was a good crowd inside and outside just before opening on Saturday

The NYC Big Flea Market completed its maiden show, September 27-28, 2014. Attendance was good on Saturday, with lots of interest, but sales were not commensurate. The crowd was younger than at the November and March Pier shows, with lots of new faces. Sunday attendance wasn’t quite as good, but still significant. Sunday resulted in two good sales, a Tiffany lamp and a Pairpoint lamp.

Saturday afternoon in front of my booth

It was tough sitting at the show — the hours were ridiculously long — 10 hours on Saturday and 8 hours on Sunday. It would have been less of a problem if we were busy selling all day, but we weren’t. Add the pungent smell of sauerkraut all day, from the food vendor at the entrance, for an unpleasant experience. What really counted were sales. Although we didn’t make many, the results were good enough for us to return in April, for the spring edition of the show. That means we’ll exhibit twice in the same facility within a few weeks, in March and April. I don’t think that will be a bad thing, since the two shows attract different crowds.

This beautiful Tiffany 19″ green Linenfold table lamp was sold at the show

In asking around to just a few dealers, I got the following comments. Arnie Small of Barbara Gerr Antiques (American pottery) remarked “The show was OK. We saw more young people come through than at other shows. The gate was good.” Virgil Rogers of Only Authentics (handbags) said “The show was better than the normal Pier show in November. The crowd was large. I sold some very expensive Chanel and Hermès handbags.” Jeff Myers (glass) was enthusiastic. “I thought it was good. I’m going to come back in April. The crowd was completely different.” Peter Boehm of Dualities Antiques (general) of Larchmont, NY, didn’t feel the same way. “My show was horrible. The worst I’ve ever done.” Finally David Smirnofff of From Here to Antiquity (paintings) of Cheshire, CT, said “I sold a lot of inexpensive items. I’m disappointed that it was promoted as a flea market rather than a treasure hunt.”

Now for a little time off. No shows until November, when we have four in a row. We’ll start in New Jersey at the Morristown Armory, then travel to Chicago for the Antiques + Modernism Winnetka show, followed by the Kansas City Antiques Expo, ending up back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. We’ll spend a lot of time finding some great new items for our November circuit.

The NYC Big Flea Market will open this weekend, September 27-28, 2014

Posted on September 22, 2014 by Philip Chasen

The show will be held in Pier 94, the white building on the left, September 27-28, 2014

The NYC Big Flea Market will open this coming weekend and run from Saturday, September 27, at 9 AM, until Sunday, September 28, at 5 PM. The promoters, D’Amore Promotions, will be using the same Pier 94 that is used by USA Antique Shows for their November and March shows. This is the first time for this show, with an entirely new cast of dealers.

One of the Fredericksburg displays

D’Amore Promotions produces the DC Big Flea Market in Chantilly, Virginia and the Fredericksburg Big Flea Market in Fredericksburg, Virginia. They decided to duplicate their successful Virginia shows in New York City. Pretty gutsy move. A successful Virginia show doesn’t necessarily translate into a successful New York City show. It’s not exactly Field of Dreams — if you build it, he will come. First you’ve got to convince the dealers to exhibit at your new show. They needed a good response and got it. The show will be full, with many new dealers who never exhibit in New York City. The next step is to fill the place with buyers, who will make the dealers happy and so will begin a virtuous cycle.

We’ll have this wonderful Martin Brothers double-face jug at the show

I’ve got a good feeling about this show. I expect different people to attend, which hopefully will be a good thing. I’m bringing lots of fresh items to the show, which is always good for business. Look for the results next Monday.

Click here for more information about the Big Flea Market.

Ever wonder how a Lalique vase is made?

Posted on September 18, 2014 by Philip Chasen

Lalique Bacchantes mold

Lalique vases are made in molds, as opposed to French cameo vases that are usually hand-blown. That means that a sculptor first has to hand-sculpt an original, usually of clay. From there several molds are cast until the final iron version is ready. Molten glass is injected into the mold and then cooled very slowly, usually over 24 hours or more. The process is called annealing and its purpose is to remove stress from the glass, so it doesn’t crack. After the cold vase is removed from the mold, it goes to a glass finisher who grinds the rim, the base and any irregularities until the vase is smooth and sits flat. Finally the vase is signed and ready for sale.

Lalique Bacchantes vase

Different glass can be injected into the same mold to create variations, which may include different colors or opalescence. Many modern collectors look to obtain colored variations of the same vase, which always command premium prices over their colorless cousins. Certain rarer colors, like red, are the most sought after.

Three variations of R. Lalique Ronces vases

The show will be held in the white building on the left, September 27-28, 2014

Our next show is new to our schedule and almost upon us. The NYC Big Flea Market will run two weekends from now, September 27-28. The new promoters, D’Amore Promotions, will be using the same Pier 94 that is used by USA Antique Shows for their November and March shows. This one will be substantially different, with an entirely new cast of dealers. Click here for more information. I’m bringing a lot of special items, so come and visit me at the show.

Philip Chasen Antiques

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