Results from the Palm Beach Jewelry, Art & Antiques Show

Posted on February 17, 2010 by Philip Chasen

A few of the lamps in my booth

It’s Tuesday, 5 PM, and the show is winding down. It’s hard work sitting for so many hours, talking to hundreds of people, but it’s gratifying when the show goes well, and this one went well. I personally talked to about a dozen exhibitors and most were very pleased with the results. One painting dealer (there were many painting dealers at this show) told me he did poorly. One general dealer told me he would have made a profit, had his expenses not been so high. Another dealer in English furniture and objects told me he had a good show. A Steuben dealer had a very good final day for a very good show overall. For the most part, most dealers did well.

Attendance was truly outstanding throughout the show, especially on the weekend. Today, Tuesday, was the lowest attendance, but even that was pretty good. The problem was that all the real buyers already were here, so today’s crowd was out for a good time only. If the show had ended yesterday, it would basically have been the same.

The show promoter did an excellent job. There were banners everywhere around town announcing the show, including a beautiful full-size outdoor billboard. If you lived anywhere in this area, it would have been impossible not to know about the show. Too bad most other show promoters do not put the same effort and resources into promotion.

Original Louis Icart oil painting 'Aux Trianons'

Interest was strong in everything Tiffany, including lamps, desk sets and glass. Sales in Icart etchings and oil paintings were strong, a welcome change from the recent tepid interest. Surprisingly, interest in French glass was good, but sales were not.

It appears after several strong shows in Florida that the market has come back in a meaningful way. Besides personal experience, I’ve seen lots of anecdotal evidence. It appears that the economy is recovering nicely and that the statistics will soon reflect the increased optimism I see.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or
516-922-2090. And please visit my website. chasenantiques.com

Setting up at the Miami National Antiques Show

Posted on January 15, 2010 by Philip Chasen

Thursday setup at the Miami National Antiques Show

At this point, setup is finished and the show opens to the public today at noon. We’ve exhibited at this show for more than 25 years and have seen the show change over this time. Unfortunately most of the changes are for the worse. 25 years ago, the show was so crowded with attendees that the Fire Department closed the doors and would not permit additional people to enter until some people had left. Most show promoters today would give their right arms to get that kind of attendance. A complicated confluence of events has changed today’s show landscape. One important factor is the aging of dealers and buyers, without enough young people to replace them. Perhaps even more important is the profound effect of the Internet on the market (but that’s a whole other story for another day).

Today’s show is smaller. No longer is there a second floor. The first floor is 90% full, but that’s less than 95% from the previous year. The overall quality of the show is quite high, but again a bit less than in previous years. A few of the better dealers are gone, replaced with a few borderline dealers.

My booth is almost fully set up

Is it worth visiting the show? Absolutely. There are important dealers, with a huge variety of the finest quality antiques. Guaranteed you will find something you like at the show. Yours truly has brought incredible Tiffany Studios lamps and glass plus French cameo glass by Daum Nancy and Galle plus a huge selection of Louis Icart original etchings at ridiculously low prices. Come visit me at the show and get first crack at everything, before the big Miami Beach Convention Center Antiques Show next week. I’ll post the results of this show early next week.

The Miami National Antiques Show, January 15-17, 2010.

The first show of the winter season, the Miami National Antiques Show, begins tomorrow and ends on Sunday. It is being held at the Doubletree Expo Centre, Miami Merchandise Mart, near the airport.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Good results for Tiffany Studios objects at Sotheby’s New York, December 17, 2009

Posted on December 22, 2009 by Philip Chasen

Sotheby’s New York held their “Important Tiffany” auction on December 17, 2009, with good results. 30 of the 39 lots sold, for total sales of $3,038,250.

Tiffany Studios Laburnum table lamp, Sotheby's lot 434

The top lot of the sale was #434, a Tiffany Studios Laburnum table lamp with a fantastic organic root base. It carried a pre-sale estimate of $350-500,000 and realized $422,500, including buyer’s premium.

Tiffany Studios Salamander lamp, Sotheby's lot #428

Lot #428 was a rare Tiffany Studios Salamander table lamp that realized the second highest price of the sale. It sold for $362,500, including buyer’s premium, against a pre-sale estimate of $3-500,000. It’s a stylized geometric decoration that is not my taste, but all that was needed was one buyer and the reserve, and that appeared to be the case.

Tiffany Studios rare blue Jack-in-the-Pulpit vase, Sotheby's lot #418

A wonderful and rare Tiffany Studios blue Jack-in-the-Pulpit vase sold for $86,500, including buyer’s premium, near the high end of the $50-80,000 pre-sale estimate. I bought almost this exact vase about 30 years ago in a home for about $5,000. Wish I had that one back. It would have looked nice on my shelf all these years.

Tiffany Studios Ninth Century desk set, Sotheby's lot #409

The Ninth Century pattern in Tiffany Studios desk sets is quite attractive with blue and green jewels. A large set with a few rare items, including a thermometer and a scale, was sold as lot #409. It doubled its pre-sale estimate of $10-15,000, selling for $37,500, including buyer’s premium. Excuse me, Mister Buyer (or anyone else), I’ve got lots of additional items in the Ninth Century pattern for sale. Please contact me.

For complete results, click this link. Sotheby’s Important Tiffany results.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Generally poor results at Heritage’s first New York 20th Century Decorative Arts auction, December 10, 2009

Posted on December 15, 2009 by Philip Chasen

Heritage Auctions, the major Dallas, TX auction house, held their first auction of 20th Century Decorative Arts in New York on December 10, 2009. Results were generally poor in the lamp and glass sections of the auction, with many lots not reaching reserve. Heritage had hoped to break into the New York market and become a major player along with Christie’s, Sotheby’s and Bonham’s. It’s difficult to ascertain the exact reasons for the poor showing, but a few things are clear. First, they did not have a compelling group of items to sell. A fresh collection of important items at low estimates and reserves would have been a good way to kick start their New York presence. Unfortunately that was not the case. Secondly, they do not have a permanent exhibition space. They rented space from Tepper Galleries on the third floor of a building on East 25th St. — not an easy location to find. Third, they tried to enter the New York market in a difficult period in the economy. Heritage is a major auction firm primarily selling coins. They branched out into several antiques markets, some with excellent success, such as American Illustration Art. Perhaps they can crack the New York market, but they will have to upgrade their offerings and lower the estimates and reserves — a difficult task.

Tiffany Studios bamboo floor lamp, Heritage lot #74057

Tiffany lamps sold poorly, mostly because of too aggressive estimates and reserves. One of the major lamps of the sale was a Tiffany Studios Bamboo floor lamp. It was estimated at $200-300,000 and did not sell.

Tiffany Studios 22 inch Dragonfly table lamp, Heritage lot #74064

Another major lamp that did not sell was a Tiffany Studios 22″ Dragonfly table lamp on a rare reticulated base. It was available for sale after the auction for $179,250.

Daum Nancy wheat vase, Heritage lot #75144

French cameo glass also did not fare well. Many of the vases did not sell but a few did. Lot 75144 was a Daum acid-etched and enameled vase with wheat decoration. It carried a pre-sale estimate of $8-12,000 and sold for $9,560, including buyer’s premium.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Many are priced right for great holiday gift-giving. Who wouldn’t like to receive a genuine Tiffany desk set accessory as a Christmas or Chanukah gift? I’ll soon be starting a big sale on Icart etchings. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Tiffany Studios lamps soar at Christie’s New York 20th Century Decorative Arts auction

Posted on December 10, 2009 by Philip Chasen

To say the least, the results of the December 8, 2009 Christie’s Magnificent Tiffany auction were interesting. There was real strength in the high end of the market and apathy in the low end. The best examples brought extraordinary prices, while the lower end results were tepid.

Tiffany Studios Elaborate Peony table lamp, Christie's lot #11, December 8, 2009

The high-water mark of the auction was achieved with the sale of lot 11, a Tiffany Studios Elaborate Peony table lamp. It was estimated to sell between $600,000 and $900,000, and soared to $1,538,500, including buyer’s premium. That should make the purchaser of the Tiffany Studios Elaborate Peony lamp from the Skinner’s auction of the Richard Wright collection ecstatic. That one sold for $435,000 just a few weeks ago, and it was no slouch.

Tiffany Studios Trumpet Creeper table lamp, Christie's lot #35, December 8, 2009

Strong prices continued with the sale of a Tiffany Studios Trumpet Creeper table lamp. It is the same size, shape and basic design as the Wisteria lamp, but with the rarer Trumpet Creeper decoration. It exceeded the high estimate of $500,000 reaching $794,500, including buyer’s premium.

Tiffany Studios Dragonfly table lamp, Christie's lot #17, December 8, 2009

Dragonflies are always crowd-pleasers and lot #17 filled the bill. It was a beautiful example with a rare matching mosaic-tile base. It sold for $602,500, including buyer’s premium, equaling the high estimate.

Other outstanding results were achieved with a Tiffany Studios Bamboo floor lamp, $506,500, a Peony chandelier, $314,500, a drop-head Dragonfly lamp, $314,500 and a turtleback tile chandelier, $266,500. For complete results, click on this link. Christie’s Magnificent Tiffany results.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Some treasures I’ve owned, part V, Gallé blownout vases

Posted on December 1, 2009 by Philip Chasen

Gallé blownout elephant vase

Emile Gallé died in 1904, but the company he founded continued in business until the Great Depression. Production stopped during WWI, but then continued after the war. It was during that time that blownout vases were created. Sometimes they are referred to as mold-blown or soufflé, in France. The technique is first to create a mold and blow the glass into the mold. That creates the identical shape for successive examples, but not identical colors. The artist is still free to change the colors for each example. The colored layers are applied to the vase and then etched with acid. There are roughly 30 different models, from simple models with berries to exotic ones with elephants. What makes one better than another is the design, the color and the size.

Elephants are amongst the best Gallé blownout vases. The usual coloration is brown elephants on an opalescent or yellow background. There is also a rarer example with white elephants. Gallé elephant vases are large and impressive. The example above was a beauty.

Gallé blownout calla lily vase

The largest Gallé blownout vase is the calla lily. It’s huge, heavy, and spectacular. This particular example had great color with red lilies on a yellow-amber background. This model also exists with blue calla lilies and is exceptionally beautiful.

Gallé blownout clematis vase

Sometimes an additional layer of color (usually white) is added to give the flowers even more of a three-dimensional and realistic look. These examples are quite rare and usually gorgeous. The example below has a layer of white glass beneath the red and makes the clematis flowers appear dramatic.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

French cameo and Tiffany Studios Favrile glass do well at Julia’s Lamp & Glass auction, November 20, 2009

Posted on November 24, 2009 by Philip Chasen

Tiffany Studios flower form vase, Julia's lot #2091

Session 2 of James D. Julia’s Lamp & Glass auction was held on Friday, November 20. The session began with art glass shades, with rare and unusual examples holding up well, while common shades did not.

The Tiffany Studios section of the sale followed with glass and desk accessories performing well. Lot 2091 was a Tiffany Studios flowerform vase that carried a pre-sale estimate of $4-6,000 and sold for $11,500, including buyer’s premium. A mini red Tiffany Studios decorated vase, 3″ tall, estimated for $3-5,000, sold for $6,612.50, including buyer’s premium.

Tiffany Studios red mini vase, Julia's lot #2093

French cameo glass was next up on the auction block. First was an outstanding vase by Eugène Michel with padded and heavily wheel-carved poppy flowers. It was estimated at $15-20,000 and sold for $25,300, including buyer’s premium. The three other Michel vases in the sale also did well. An outstanding Gallé marquetry vase, lot #2235, was estimated at $20-30,000 and sold within the estimate for $24,150.

Eugène Michel padded & wheel-carved cameo glass vase, Julia's lot #2217

Bidding was spirited for several fine examples of Daum Nancy glass. A 5″ vase with blackbirds sold for $12,650, within the estimate of $10-15,000, while a bowl with handles and rare swan decoration sold to a New York dealer on the telephone for $10,925, including buyer’s premium, against a conservative estimate of $5,500-7,000.

Daum Nancy handled bowl with swan decoration, Julia's lot #2283

More than a dozen examples of pate-de-verre vases, boxes and pendants by Argy-Rousseau and A. Walter sold well, most within the estimates and a couple exceeding the estimates. A Walter luminaire of a fish was estimated to sell for $3,500-5,000. It sold for $10,350, including buyer’s premium.

A. Walter pate-de-verre luminaire, Julia's lot #2347

I will be adding many new and exciting items to my website in the next few days and weeks, many of them at very attractive prices. Please check my website often for the latest. chasenantiques.com.

I’d love to hear from you with suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Some treasures I’ve owned, part IV, Tiffany Studios desk items

Posted on November 4, 2009 by Philip Chasen

Tiffany Studios Pine Needle clock

Tiffany Studios desk sets have become quite popular in the last few years. I think publication of the Kemeny book on Tiffany desk sets galvanized public interest. Since the publication of the book, prices have gone up 10-fold on many items. Some of the items show up repeatedly, so it’s a kick for me when I find a rarity. Even the rarities are still priced within many collector’s budgets, with a high of about $10,000 for most, except the nearly impossible-to-find Pond Lily pattern. Some of you may remember that a set of six Pond Lily desk items sold for over $200,000 at an auction in North Carolina about 2 years ago.

The Pine Needle pattern has become more popular in the last year or so. A clock is one of the items that’s quite rare in any Tiffany desk set. The pictured example had a beautiful patina.

Tiffany Studios Grapevine set

I never knew a combination tray, inkwell, wax seal, matchbox holder, and pen existed, until I was offered this one. This particular example was complete and had one of the best original patinas one could ask for. I wish I had 10 more, but then it wouldn’t be quite as rare.

Tiffany Studios clock with signs of the Zodiac

This clock is not part of the Zodiac pattern but it does have the signs of the Zodiac. It’s quite rare and in stupendous condition with colorful original enameling. Some Tiffany desk set items come with or without enameling. The rarer ones are enameled and those where the enameling is in great original condition are the rarest of all.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail or 516-922-2090. And please visit my website. chasenantiques.com

Tiffany Studios lamps soar at Skinner’s sale of the Richard Wright Collection

Posted on October 28, 2009 by Philip Chasen

On October 24, 2009, Skinner, Inc. sold part II of the Richard Wright Collection. Overall, the sale was a barnburner, but today I’ll only discuss the Tiffany Studios lamps and glass. Yesterday, I reviewed a few of the results and tomorrow, I’ll discuss the Martin Brother ceramics and Zsolnay pottery results.

Tiffany Elaborate Peony table lamp, Skinner lot #305

Richard didn’t collect too many Tiffany lamps, but the ones he did were special. The most important lamp of his collection was a 22″ elaborate Peony. It was estimated at $300,000 – $500,000, one of the more aggressive estimates in the sale. The lamp sold within the estimate, for $435,000, including the buyer’s premium. The photos in the catalog and on their website do not do the lamp justice, as it was more colorful and beautiful in person.

A Tiffany 20 inch diameter Dragonfly table lamp, Skinner lot #471

A 20″ Dragonfly lamp on a mock Turtleback base was estimated for $25-35,000 and quadrupled the high estimate for a final price of $148,125, including the buyer’s premium. Lot #291 was a rare Daffodil Jonquil table lamp. It sold to a dealer for $112,575, against a pre-sale estimate of $30-50,000. A Tiffany 10-light lily did not fare quite as well, as it was sold with one reproduction shade and one cracked shade. It was estimated for $7-9,000 and sold for $22,515.

A rare Tiffany Favrile orange vase, Skinner lot #583

A small, but rare and interesting Tiffany Favrile vase, deep orange with a zipper decoration, was estimated for a silly low price of $4-600. It sold for $10,665, in the range one would expect for a vase of this quality.

It was a good day for Tiffany Studios items at auction, but that was to be expected. The items were high quality, fresh-to-the-market, estimated low, and sold into a market where superior Tiffany items have been strong for quite some time.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Skinner’s auction of the Richard Wright Collection is a barnburner

Posted on October 27, 2009 by Philip Chasen

Richard Wright

Richard Wright died on March 1, 2009 at age 62. He was best known as the expert doll appraiser for the Antiques Roadshow. He was also the owner of Wright Antiques & Dolls, in Birchrunville, Pennsylvania. I used to see him regularly when we both exhibited at the Atlantique City show. Skinner Inc. was the lucky auction house to sell his collection. They divided it into two parts, with the dolls being sold first on October 10, 2009 and the rest of his eclectic collection on October 24, 2009, with spectacular results. I’ll only cover the second session, which was so diverse and so exciting that I’ll divide my coverage into three parts.

Skinner’s knows how to market a sale. They let the public know that everything was there to sell by putting estimates that were so low, that everyone thought they were in the game. There is nothing better for a stellar auction than high quality, fresh-to-the-market items at low or no reserves. Stuart Whitehurst was the supervisor in charge. He and his staff did a great job and the results show it.

Bruno Zach, 'The Riding Crop', Skinner's lot #85

A large Bruno Zach bronze entitled “The Riding Crop”, 33½” tall, was estimated for $12-15,000. It sold for $94,800, including buyer’s premium.

Gallé side table, Skinner lot #306

Richard had a few pieces of Art Nouveau furniture in his collection and the auction results for them were fantastic. A Gallé two-drawer side table with mother-of-pearl butterfly inlays was estimated at $6-8,000. It brought an astounding $136,275, including buyer’s premium. A Gallé marquetry hall tree for coats and umbrellas, was estimated for $3-4,000 and sold for $31,995, including the buyer’s premium.

The results for Tiffany glass and lamps, Martin Brothers ceramics and Zsolnay pottery were equally tremendous. Tomorrow I’ll cover the Tiffany and the next day the Martin Brothers and Zsolnay.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Philip Chasen Antiques

The blog for chasenantiques.com

Tag Archives: authentic Tiffany

Results from the Palm Beach Jewelry, Art & Antiques Show

Setting up at the Miami National Antiques Show

Good results for Tiffany Studios objects at Sotheby’s New York, December 17, 2009

Generally poor results at Heritage’s first New York 20th Century Decorative Arts auction, December 10, 2009

Tiffany Studios lamps soar at Christie’s New York 20th Century Decorative Arts auction

Some treasures I’ve owned, part V, Gallé blownout vases

French cameo and Tiffany Studios Favrile glass do well at Julia’s Lamp & Glass auction, November 20, 2009

Some treasures I’ve owned, part IV, Tiffany Studios desk items

Tiffany Studios lamps soar at Skinner’s sale of the Richard Wright Collection

Skinner’s auction of the Richard Wright Collection is a barnburner