Results from the NYC Pier Show, March 13-14, 2010

Sunday afternoon at the NYC Pier Show, March 14, 2010

Sunday afternoon at the NYC Pier Show, March 14, 2010

The weather in NYC was miserable this weekend, especially Saturday. Heavy, steady rain accompanied by strong wind, made for a rough day. Ordinary inclement weather is usually good for attendance and business at shows, but awful weather can have a negative effect. Attendance was down from the previous show, but still decent. The show didn’t have its usual buzz and snap. Business was off on Saturday from the previous show, but not drastically.

Very attractive Gallé 10-inch scenic vase

Very attractive Gallé 10-inch scenic vase

Sunday’s weather was slightly improved — just nasty, but not raining cats and dogs and not nearly as windy. Attendance got off to a very slow start because the show opened at 10 AM. There is no good reason whatsoever for a show to open at 10 AM on a Sunday, especially with the change to Daylight Savings Time. Everyone’s body clock told them it was 9 AM. Anyway, most people sleep late on Sunday. For the first hour and a half, dealers were all sitting around waiting for the first person to come and ask a question. Everyone would do the same business if the show hours were 11 AM – 5 PM on Sunday and the dealers would all be elated. (Hello Irene. [Irene Stella is the promoter of the show.] How about it?)

Superior quality Tiffany 12-inch blue Favrile vase with green hearts and vines

Superior quality Tiffany 12-inch blue Favrile vase with green hearts and vines

Business picked up a little on Sunday, but overall sales were somewhat disappointing. Sales were diverse at the show, with Tiffany, Quezal, Gallé, Daum, and Icart garnering the most interest. In speaking to several other exhibitors, most were satisfied with their results, but none were ebullient.

Now here’s something not to do at a show. Les Fisher, an Italian restaurant owner from the south shore of Long Island, came into my booth on Saturday. He decided to buy an expensive Art Nouveau bronze, and after a bit of negotiation, he agreed to purchase it if I gave him time to pay it off. I do that with lots of people, so I had no problem with the arrangements. He shook my hand, told me he would be in on Sunday, not only with a significant deposit, but lunch from his restaurant. Very nice. The only problem is that Les never showed up, never called, and never answered two phone calls. Not only is that not nice, but irresponsible, inconsiderate and rude. The item was marked sold for several hours and as a result, might possibly have resulted in the loss of the sale to another client. The courtesy of a phone call would have been the least that he should have done.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass, Daum Nancy glass, Tiffany Studios glass and Marblehead pottery, to name a few. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Americans don’t appreciate sophisticated French Cameo Glass

Daum padded and wheel-carved vase

Daum padded and wheel-carved vase

Padding and wheel-carving are difficult glass techniques that add a level of sophistication and rarity to any French cameo glass vase. Sometimes the vases do not appear quite as colorful as some other vases with simpler techniques. Over the last several years, these sophisticated vases have become more difficult to sell to Americans. Americans want pretty, not sophisticated. Don’t get me wrong, there’s nothing wrong with pretty, but advanced techniques make for important pieces and should not be lightly dismissed. The most skilled glass craftsmen are needed to execute difficult techniques that require more time with hot glass for the padding and cold glass for the carving.

Important Daum vase with padded and wheel-carved pine cones

Important Daum vase with padded and wheel-carved pine cones

My advice to Americans is to take a closer look at padded and wheel-carved pieces. Learn about the workmanship involved in their production and thereby gain a better appreciation for them. The prices of these important vases are down, so it’s an especially good time to add them to your collections.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or
516-922-2090. And please visit my website. chasenantiques.com

Setting up at the Miami National Antiques Show

Thursday setup at the Miami National Antiques Show

Thursday setup at the Miami National Antiques Show

At this point, setup is finished and the show opens to the public today at noon. We’ve exhibited at this show for more than 25 years and have seen the show change over this time. Unfortunately most of the changes are for the worse. 25 years ago, the show was so crowded with attendees that the Fire Department closed the doors and would not permit additional people to enter until some people had left. Most show promoters today would give their right arms to get that kind of attendance. A complicated confluence of events has changed today’s show landscape. One important factor is the aging of dealers and buyers, without enough young people to replace them. Perhaps even more important is the profound effect of the Internet on the market (but that’s a whole other story for another day).

Today’s show is smaller. No longer is there a second floor. The first floor is 90% full, but that’s less than 95% from the previous year. The overall quality of the show is quite high, but again a bit less than in previous years. A few of the better dealers are gone, replaced with a few borderline dealers.

My booth is almost fully set up

My booth is almost fully set up

Is it worth visiting the show? Absolutely. There are important dealers, with a huge variety of the finest quality antiques. Guaranteed you will find something you like at the show. Yours truly has brought incredible Tiffany Studios lamps and glass plus French cameo glass by Daum Nancy and Galle plus a huge selection of Louis Icart original etchings at ridiculously low prices. Come visit me at the show and get first crack at everything, before the big Miami Beach Convention Center Antiques Show next week. I’ll post the results of this show early next week.

The Miami National Antiques Show, January 15-17, 2010.

The Miami National Antiques Show, January 15-17, 2010.

The first show of the winter season, the Miami National Antiques Show, begins tomorrow and ends on Sunday. It is being held at the Doubletree Expo Centre, Miami Merchandise Mart, near the airport.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Shopping for antiques in Buenos Aires, Argentina

Defensa Street, the main antiques street of San Telmo, Buenos Aires

Defensa Street, the main antiques street of San Telmo, Buenos Aires

We’ve been traveling to Argentina for over 35 years. In that time, we’ve watched the changes in the antiques market there. Early on, we were able to buy fairly well, especially French Art Deco glass by companies like Schneider, who made Le Verre Francais. There was a plethora of Le Verre Francais, as a result of the success of Argentina in the 1920s. Argentina was wealthy and influential and much of that wealth was directed to France for the purchase of the finest quality glass and furniture. Unfortunately (for buyers), times have changed. The world discovered Argentina and siphoned off the best items, so today there is a much more limited supply. With access to the Internet, Argentines are up-to-the-minute on prices all over the world. Even 35 years ago, dealers would show me catalogs from Sotheby’s and Christie’s to justify their prices, so even then they weren’t in a vacuum.

Argentina hasn’t suffered as badly as some of the countries of the world during this latest recession. Tourism is up, so foreign dollars are flowing in, and that seems to be a moderating influence. I saw tourists from many different corners of the globe, including Australia, France, Germany, Israel, Japan, and the US. Many people I spoke to said that business was fairly good. I’m quite pleased because Argentina went through a terrible crisis starting in 1999 that lasted for about three years. Many people lost their jobs, crime was up and civil unrest was high. During that time Argentina developed a bad reputation which scared off many tourists. Today there is no evidence whatsoever of the crisis. Buenos Aires is as safe as any other major world city.

But I digress — back to antiques shopping. The prices I was asked for the types of items I buy were so high, that they sounded like telephone numbers, rather than prices. The same stores are still in business from a few years ago, so they must be selling to someone, but I certainly don’t know who that might be. I wish I did. For instance, I sell original Louis Icart etchings starting at $850, in great condition, with a certificate of authenticity. The lowest price for the same etchings in Buenos Aires was $2,000, in relatively poor condition. A Gallé vase that should have been priced at $6,000 was priced at $14,000. To top things off, Argentine dealers price their antiques in US dollars, not just now, but always. That’s smart for them, but takes away the exchange rate advantage for foreigners.

Plaza Dorrego, in the center of San Telmo, Buenos Aires

Plaza Dorrego, in the center of San Telmo, Buenos Aires

I still suggest you visit the bohemian San Telmo neighborhood of Buenos Aires, which is the antiques center. There are many stores, with a wide array of items. It’s fun to search. I’m sure there are some good items available at fair prices, but you’ll have to be a determined shopper. For me, looking for important, mostly French items, it’s become a futile effort. Sometime during your visit, take a break for coffee or dessert with dulce de leche, in Plaza Dorrego, in the center of San Telmo.

The Miami National Antiques Show, January 15-17, 2010.

The Miami National Antiques Show, January 15-17, 2010.

This week starts a busy antiques season with shows in Miami and Miami Beach. The first, the Miami National Antiques Show, will be held from January 15-17 at the Doubletree Expo Centre, Miami Merchandise Mart, near the airport. It’s a beautiful show with important dealers. It’s also your opportunity to get first crack at the great items they’ll be bringing, before they go on the following week to exhibit at the Miami Beach Convention Center.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Generally poor results at Heritage’s first New York 20th Century Decorative Arts auction, December 10, 2009

Heritage Auctions, the major Dallas, TX auction house, held their first auction of 20th Century Decorative Arts in New York on December 10, 2009. Results were generally poor in the lamp and glass sections of the auction, with many lots not reaching reserve. Heritage had hoped to break into the New York market and become a major player along with Christie’s, Sotheby’s and Bonham’s. It’s difficult to ascertain the exact reasons for the poor showing, but a few things are clear. First, they did not have a compelling group of items to sell. A fresh collection of important items at low estimates and reserves would have been a good way to kick start their New York presence. Unfortunately that was not the case. Secondly, they do not have a permanent exhibition space. They rented space from Tepper Galleries on the third floor of a building on East 25th St. — not an easy location to find. Third, they tried to enter the New York market in a difficult period in the economy. Heritage is a major auction firm primarily selling coins. They branched out into several antiques markets, some with excellent success, such as American Illustration Art. Perhaps they can crack the New York market, but they will have to upgrade their offerings and lower the estimates and reserves — a difficult task.

Tiffany Studios bamboo floor lamp, Heritage lot #74057

Tiffany Studios bamboo floor lamp, Heritage lot #74057

Tiffany lamps sold poorly, mostly because of too aggressive estimates and reserves. One of the major lamps of the sale was a Tiffany Studios Bamboo floor lamp. It was estimated at $200-300,000 and did not sell.

Tiffany Studios 22 inch Dragonfly table lamp, Heritage lot #74064

Tiffany Studios 22 inch Dragonfly table lamp, Heritage lot #74064

Another major lamp that did not sell was a Tiffany Studios 22″ Dragonfly table lamp on a rare reticulated base. It was available for sale after the auction for $179,250.

Daum Nancy wheat vase, Heritage lot #75144

Daum Nancy wheat vase, Heritage lot #75144

French cameo glass also did not fare well. Many of the vases did not sell but a few did. Lot 75144 was a Daum acid-etched and enameled vase with wheat decoration. It carried a pre-sale estimate of $8-12,000 and sold for $9,560, including buyer’s premium.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Many are priced right for great holiday gift-giving. Who wouldn’t like to receive a genuine Tiffany desk set accessory as a Christmas or Chanukah gift? I’ll soon be starting a big sale on Icart etchings. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

The turkeys are back

Lia Chasen, with friend Sandra Pak, feeding the wild turkeys

Lia Chasen, with friend Sandra Pak, feeding the wild turkeys

Having never seen a wild turkey on Long Island for my whole life, I’ve now seen them three times in a month. Today they visited again and this time they brought their friends (or relatives). Today’s visit included a rafter of nine turkeys. (How do you like the term “rafter of turkeys”? Had to look that one up online to find the proper term.) Two of the eight were probably the alpha males. They were much bigger and had their tail feathers open. They seemed to be in charge and protective of the others. Two of the turkeys flew up to drink from the bird bath. Did you know that turkeys can fly? Well, not very far, according to my research. Basically they just fly up into trees.

The alpha male turkeys

The alpha male turkeys

Long Island’s wild turkeys are quite tame. So many people feed them that they’re practically domesticated. We had a hunt on Long Island a few weeks ago, but that was farther out on Long Island in Suffolk County. Hunters had to get licenses and were permitted only one turkey per permit. Very few turkeys were caught during the five day hunt. They haven’t yet learned to fear humans, so hunting them shouldn’t have been that difficult. I guess the problem was locating them, as there aren’t that many yet — approximately 3000 on all of Long Island, and Long Island is very big.

A couple of the turkey hens drinking from the bird bath

A couple of the turkey hens drinking from the bird bath

It’s fun to get a visit from the local turkeys, as long as they leave soon, and they usually do. A rafter of nine turkeys can leave quite a bit of poop. Just ignore them and stop feeding them — that seems to do the trick. At least they’re not as bad as geese (and we have lots and lots of geese on Long Island). Once they decide they like your property, it’s very difficult to get rid of them.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Many are priced right for great holiday gift-giving. Who wouldn’t like to receive a genuine Tiffany desk set accessory as a Christmas or Chanukah gift? I’ll soon be starting a big sale on Icart etchings. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Make your plans for the two big antique shows coming to Miami in January, 2010

The Miami National Antiques Show, January 15-17, 2010

The Miami National Antiques Show, January 15-17, 2010

Now is the time to start making your plans to come to Miami for the two big antique shows in January. The first show is the Miami National Antiques Show, held at the Doubletree Expo Centre (near the airport), January 15-17, 2010. This show has a long history, back to the time about 30 years ago when Marty Ellis was the show promoter. I remember one January when there were so many people on line that the fire marshalls were only permitting people into the show as other visitors were leaving. I’ve exhibited at some busy shows since then, but that was the high-water mark for show attendance. Although the show has gotten a little smaller (there’s no second floor any more), the quality has managed to stay extraordinarily high. Many of the best dealers exhibit at this show, so it’s a good way to start the new year’s antique season. There’s a concentration of the best dealers in glass and lamps, so that’s an especially good reason to visit.

The Original Miami Beach Antique Show, January 21-25, 2010

The Original Miami Beach Antique Show, January 21-25, 2010

Immediately following that show will be the eagerly anticipated Original Miami Beach Antique Show, at the Miami Beach Convention Center, January 21-25, 2010. This is a huge show that attracts both exhibitors and attendees from all over the world. I’ve done business at this show with people from almost every continent. There’s always a lot of action, with millions and millions of dollars of merchandise changing hands. Many dealers save their best items just for this show. Give yourself at least two days to see everything.

Have you tried Hotwire.com or Priceline.com to book your hotel or car? Take my advice from a very experienced traveler. Hotwire is great most of the time. You won’t know the name of the hotel until you’ve paid with a credit card, but you will know the location and the star rating. You can be pretty sure that a 3 or 4-star rating will be a nationally-known brand-name hotel. I like to stay in Miami, not Miami Beach, for the duration of the two shows. Parking and eating is much less of a hassle and the hotels are better and cheaper. The least expensive 3½-star hotels on Hotwire were $89/night, so I tried Priceline and bid $69/night. To my amazement, I got the Embassy Suites near the airport. Embassy Suites are great and $69/night??? What a deal!

The Miami shows are wonderful. First of all, you can escape winter for as long as you’re there. Then you’re at the heart of the antiques world for a couple of weeks. What a combination. Make your plans now, while good hotels are still available and airfares are cheap. I’ll see you there!!!

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Many are priced right for great holiday gift-giving. Who wouldn’t like to receive a genuine Tiffany desk set accessory as a Christmas or Chanukah gift? I’ll soon be starting a big sale on Icart etchings. Please take a look, as every day I’m adding more. Click on this link chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Some treasures I’ve owned, part V, Gallé blownout vases

Gallé blownout elephant vase

Gallé blownout elephant vase

Emile Gallé died in 1904, but the company he founded continued in business until the Great Depression. Production stopped during WWI, but then continued after the war. It was during that time that blownout vases were created. Sometimes they are referred to as mold-blown or soufflé, in France. The technique is first to create a mold and blow the glass into the mold. That creates the identical shape for successive examples, but not identical colors. The artist is still free to change the colors for each example. The colored layers are applied to the vase and then etched with acid. There are roughly 30 different models, from simple models with berries to exotic ones with elephants. What makes one better than another is the design, the color and the size.

Elephants are amongst the best Gallé blownout vases. The usual coloration is brown elephants on an opalescent or yellow background. There is also a rarer example with white elephants. Gallé elephant vases are large and impressive. The example above was a beauty.

Gallé blownout calla lily vase

Gallé blownout calla lily vase

The largest Gallé blownout vase is the calla lily. It’s huge, heavy, and spectacular. This particular example had great color with red lilies on a yellow-amber background. This model also exists with blue calla lilies and is exceptionally beautiful.

Gallé blownout clematis vase

Gallé blownout clematis vase

Sometimes an additional layer of color (usually white) is added to give the flowers even more of a three-dimensional and realistic look. These examples are quite rare and usually gorgeous. The example below has a layer of white glass beneath the red and makes the clematis flowers appear dramatic.

I’m taking a lot of time to add new items to my website. I’ve already listed new items under Gallé glass (including a blownout vase), Daum Nancy glass and Tiffany Studios glass. Soon I’ll be adding many Tiffany Studios desk pieces. Many are priced right for great holiday gift-giving. Who wouldn’t like to receive a genuine Tiffany desk set accessory as a Christmas or Chanukah gift? I’ll soon be starting a big sale on Icart etchings. Please take a look, as every day I’m adding more.chasenantiques.com.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

Oops! I broke it, part II

Most damage happens because of carelessness, but occasionally there’s another reason. This was one of those times.

Daum blackbird vase

Daum blackbird vase

Lia and I used to go to Paris several times a year on buying trips. It’s a tough job, but somebody has to do it. We haven’t gone in quite some time, mostly because of the dollar’s weakness, making domestic buying more attractive. On one particular trip we bought some lovely items for resale, including one very special Daum vase with blackbirds. It was a beautiful example with lovely color and a great shape with an applied foot.

Daum blackbird vase, Julia's lot #2250, November 20, 2009

Daum blackbird vase, Julia's lot #2250, November 20, 2009

Blackbird decoration is one of the rarest and best decorations. Just this past weekend at Julia’s lamp and glass auction, a beautiful Daum 5″ vase with blackbirds sold for $12,650, including buyer’s premium.

The unfortunate result

The unfortunate result

When a vase is dirty, I usually clean it before putting it up for sale. So I took it to the sink, sprayed it with some cleaners and scrubbed it clean. I held it by the foot and turned it upside-down to let the excess water drain. Then to my utter astonishment, the body of the vase separated from the foot and dropped to the floor, smashing into many pieces. I stood there motionless for a while, incredulous, trying to understand what had just happened. Finally, I got around to examining the foot and noticed that there was glue residue on it. Daum vases are not made with glue, so that meant that someone had reattached the foot to the body. LUCKILY for me, I hadn’t paid for it yet. I called the dealer in France to tell him the bad news. He had sold me a restored vase and therefore it was not my responsibility. I emailed him photos of the disaster and ultimately gave him back the pieces. He said he didn’t know it was restored, but someone, somewhere, along the line of possession was responsible for the restoration and no one was willing to own up to it. To the best of my knowledge, the dealer who sold the vase to me took the loss. He tried to go back to the person who sold it to him, but that person refused to accept responsibility (or so he said).

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com

French cameo and Tiffany Studios Favrile glass do well at Julia’s Lamp & Glass auction, November 20, 2009

Tiffany Studios flower form vase, Julia's lot #2091

Tiffany Studios flower form vase, Julia's lot #2091

Session 2 of James D. Julia’s Lamp & Glass auction was held on Friday, November 20.  The session began with art glass shades, with rare and unusual examples holding up well, while common shades did not.

The Tiffany Studios section of the sale followed with glass and desk accessories performing well.  Lot 2091 was a Tiffany Studios flowerform vase that carried a pre-sale estimate of $4-6,000 and sold for $11,500, including buyer’s premium.  A mini red Tiffany Studios decorated vase, 3″ tall, estimated for $3-5,000, sold for $6,612.50, including buyer’s premium.

Tiffany Studios red mini vase, Julia's lot #2093

Tiffany Studios red mini vase, Julia's lot #2093

French cameo glass was next up on the auction block.  First was an outstanding vase by Eugène Michel with padded and heavily wheel-carved poppy flowers.  It was estimated at $15-20,000 and sold for $25,300, including buyer’s premium.  The three other Michel vases in the sale also did well.  An outstanding Gallé marquetry vase, lot #2235, was estimated at $20-30,000 and sold within the estimate for $24,150.

Eugène Michel padded & wheel-carved cameo glass vase, Julia's lot #2217

Eugène Michel padded & wheel-carved cameo glass vase, Julia's lot #2217

Bidding was spirited for several fine examples of Daum Nancy glass. A 5″ vase with blackbirds sold for $12,650, within the estimate of $10-15,000, while a bowl with handles and rare swan decoration sold to a New York dealer on the telephone for $10,925, including buyer’s premium, against a conservative estimate of $5,500-7,000.

Daum Nancy handled bowl with swan decoration, Julia's lot #2283

Daum Nancy handled bowl with swan decoration, Julia's lot #2283

More than a dozen examples of pate-de-verre vases, boxes and pendants by Argy-Rousseau and A. Walter sold well, most within the estimates and a couple exceeding the estimates. A Walter luminaire of a fish was estimated to sell for $3,500-5,000. It sold for $10,350, including buyer’s premium.

A. Walter pate-de-verre luminaire, Julia's lot #2347

A. Walter pate-de-verre luminaire, Julia's lot #2347

I will be adding many new and exciting items to my website in the next few days and weeks, many of them at very attractive prices. Please check my website often for the latest. chasenantiques.com.

I’d love to hear from you with suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail.com or 516-922-2090. And please visit my website. chasenantiques.com