The blog schedule will be modified for a while because the Miami shows are starting and ending on unusual days. The next post will be this Friday from the floor of the Miami Beach Convention Center. That will be followed by a results post on Wednesday, February 4th.
My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.
The Miami National Antique show ended its three-day run yesterday, January 26th. It’s smaller and leaner, but still a fine show. I’ve exhibited at shows all around the country and this one puts many of them to shame.
Ouch! That smarts.
Unfortunately setup on Friday didn’t go smoothly for one dealer. The bracket on the top shelf gave way, causing all of the French glass to slide off and smash to the ground, as well as take out a Gallé lamp on the way down. It was major, uninsured, six-figure damage that the dealer took with a fair degree of equanimity. I felt really bad for him. If it had been me, I would have been a basket case.
Saturday afternoon in front of my booth
Attendance on Saturday was quite good, in part because it was both the opening day of the show and the weekend. There was plenty of interest and questions, but no sales.
We sold this Tiffany Linenfold floor lamp at the show
Attendance on Sunday was much lighter, but business was much better, which proves it’s the quality of the buyers that counts, not the quantity.
I sold this important Argy-Rousseau pâte-de-verre vase at the show
Monday was a joke. Almost no attendance and, of course, no sales to the public (but some sales to dealers on the show floor). It would have been nice to have a day off. Many shows have switched to two days, Saturday and Sunday, and that’s what I suggest for this show. Everyone will be happier, including show management. I did manage to buy out the French glass collection of one of the dealers on the floor of the show. He raised some capital and I got some nice glass.
In asking around I got the following comments from a few dealers. Dave Crockett of Artifacts Antiques, Palm City, FL, a general dealer, commented “Did well. Wished it had been a larger crowd.” Joey Schwartz of Steve’s Antiques, Tiburon, CA, a dealer in 19th Century decorative arts, told me “Good. We did better than last year. We’ll definitely be back.” Robin and Ron Greenwald of Greenwald Antiques, Cleveland, OH, general dealers, were also enthusiastic. “We had a good show, in fact, we were thrilled. We are looking forward to many years of this show.” The general consensus of the dealers was overwhelmingly positive.
Personally this was the best show of my life. Let me repeat. Best show. Ever. I wish it were due to the huge crowds and their voracious appetites, but alas, it wasn’t. I did make two sales to the public — one important and one moderate. Most of my sales were to private clients who I emailed photos of items I found at the show. They were most enthusiastic and I was most grateful. Thank you. You know who you are. French glass, in particular, was on fire.
This Friday, January 30th, the eagerly anticipated Original Miami Beach Antique Show will open to the public. After all these years, it’s still a big deal. Dealers and attendees from all over the world flock there to do business. I imagine the total value of the merchandise on display to be at least $1 billion. At a 10% sell-through rate, that’s $100 million in sales — not a bad piece of change.
Click here to check my website for the latest items and to look around. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.