Rago Auctions, Lambertville, NJ, held an Early 20th C. Design sale on September 22, 2018

I am now publishing once a week, on Monday.

Sorry, but there will not be a new post this Monday, as I’m on vacation.


Rago Auctions, Lambertville, NJ, held an Early 20th C. Design sale on September 22, 2018. Included in the 428-lot sale were a selection of ceramics by George Ohr, the Martin Brothers, Newcomb College and Rookwood. The makers of the glass selection were R. Lalique, Emile Gallé, Daum Nancy and Tiffany Studios, among others.

Martin Bros. bird, Rago lot #327

The top lot of the sale was a large, 16¾”, Martin Brothers bird tobacco jar. It sold for its low estimate of $112,500, including buyer’s premium. The market has shifted in the last couple of years to the best examples, which are still doing well. In my opinion, this example wasn’t particularly special, but it was big.

The other Martin bird in the sale, lot #328, sold within its estimate of $20,000 – $30,000, realizing $26,250, including buyer’s premium.

George Ohr handled vase, Rago lot #236

A wonderful, colorful, 7¾” George Ohr vase with handles and a twist brought the third highest price of the sale. It realized $56,250, including buyer’s premium, against a pre-sale estimate of $37,500 – $42,500.

Daum Nancy Spring scenic vase, Rago lot #408

Lot #408 was a lovely Daum Nancy scenic vase. It sold above its high estimate of $2,000, realizing $5,625, including buyer’s premium. I was the underbidder. Upon later reflection, I should have bid more. It was beautiful and rare.

Tiffany Studios Favrile Cypriote vase, Rago lot #418

The selection of objects by Tiffany Studios was weak, except for lot #418, a Tiffany Favrile Cypriote vase, with provenance from Minna Rosenblatt. It sold for $10,625, including buyer’s premium, against a pre-sale estimate of $4,000 – $6,000.

For the complete results of the sale, click here.


No shows until Antiques + Modernism Winnetka (IL), November 1-4, 2018. We always look forward to our twice yearly exhibits in the greater Chicago area. But remember we’re still very much in business between shows, so please don’t hesitate to email or call. 

I recently listed some of the new items on my website and will list more every week. Click Philip Chasen Antiques to take a look. I will make every effort to actively list new items as often as time permits. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

The results of Rago’s Early 20th Century Design sale, January 20, 2018

Please note that I am permanently changing Thursday’s post day to Friday.

My goal is to publish new posts twice a week — Mondays and Fridays. However, if you don’t see a new post on Friday, it’s because I was too busy, so please look for a new one the following Monday.


Rago Auctions, Lambertville, NJ, held an Early 20th Century Design sale on January 20, 2018, with mixed results. A few items did very well, but many brought less than stellar prices. Personally I was the beneficiary, so I was able to buy a number of items for resale.

Tiffany Dragonfly tray, Rago lot #806

One item I knew would do very well was a large, 14¾” diameter, Tiffany Studios’ enamel on copper tray with dragonfly decoration. It doubled its high estimate of $15,000, realizing $37,500, including buyer’s premium.

Tiffany mosaic inkwell, Rago lot #802

Another Tiffany Studios’ rarity, a mosaic inkwell with original chamois, also did well. Estimated to sell for $7,000 – $10,000, it realized $26,250, including buyer’s premium.

Gallé monumental, red floral vase, Rago lot #797

Lot #797, a monumental Gallé red poppy vase, led the group of 19 French cameo vases and lamps. It sold near its high estimate of $10,000, realizing $11,250, including buyer’s premium. Although this would seem to be a good result, the estimate was very low, so it’s not as good as it seems. My opinion is that the vase should have a retail price of $20,000.

For the complete results of the sale, click here.


Our next show is not until May 18-20, 2018, when we’ll exhibit at the 2nd edition of the resurrected Chicago Antiques + Art + Design Show at the Chicago Merchandise Mart. It’s a wonderful venue for a show that deserved to be restored from purgatory.

We’re still very much in business between shows, so please don’t hesitate to email or call. I recently listed some of the new items on my website and will list more every week. Click Philip Chasen Antiques to take a look. I will make every effort to actively list new items as often as time permits. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

A few results from the Heritage 20th Century Design sale, May 25, 2017

My goal is to publish new posts twice a week — Mondays and Thursdays. However, readership slows down in the summer, so I will only publish on Mondays until the weather gets cold.


Heritage Auctions held a 20th Century Design sale on May 25, 2017. It wasn’t an important sale, but there were a few special items included. I’ll only cover the decorative arts.

Lalique Cactus table. Heritage lot #63163

A Lalique Cactus table, designed in 1951, was the top glass lot of the sale. It sold within it’s pre-sale estimate of $20,000 – $30,000, realizing $33,750, including buyer’s premium.

Pablo Picasso pitcher, Heritage lot #63258

The top ceramic lot of the sale was #63258, a 13″ Pablo Picasso pitcher from 1952. It sold for $37,500, including buyer’s premium — double its high estimate of $15,000. I don’t know much about Picasso pottery, but I do know there was a very good market for it at one time, especially in Paris.

Martin Brothers jug/vase, Heritage lot #63001

A really goofy Martin Brothers handled jug/vase sold well, bringing $15,000, against a pre-sale estimate of $6,000 – $8,000. I love Martin Brothers stoneware, but there was no way I was going to buy this one. I really didn’t like it.

For the complete results of the sale, click here. You’ll have to sign in (free) to view the prices.


July 14-16, 2017, Denver Mart EXPO Building – 451 East 58th Avenue, Denver

Our next show is the Denver World Wide Antique Show in mid-July, so we’ll take some time to smell the roses. I’ll be buying and selling in the meantime, so be in touch if you’re doing either.

I recently listed some new items on my website and I’ll be listing more in the near future. Please check my site as often as you can.

Click here to check my website for the latest items and to look around. I will update it as often as time permits. We’re still very much in business between shows, so please don’t hesitate to email or call. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Some superb items were sold at Rago Auctions The Jerome Shaw Collection, October 14, 2016

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


Sorry for the delayed coverage of the Rago Auctions in October. I meant to write about them earlier, but life got in the way. I covered Rago’s October 15, 2016 Mid-Mod sale last week. Today I’m covering the high end, eclectic Jerome Shaw Collection, which Rago sold on October 14, 2016, with mixed results. I think the aggressive estimates on the best lots held back some of the interest.

Carabin sculpture, Rago lot #13

The top lot of the sale was a hand-sculpted wooden sculpture entitled Femme et Grenouille (Woman and Frog), exhibited in 1907 at the Société Nationale des Beaux-Arts. It sold below its low estimate of $150,000, realizing $150,000 with buyer’s premium. Carabin was a sculpting genius, whose work is on display in many museums, including the Musée D’Orsay. (See my post of 1/17/12)

Loetz black-bottom vase, Rago lot #49

Two important Loetz vases, lots #48 and #49, sold for prices near their low, but strong, estimates. Lot #49 was a monumental, 18″, Phänomen vase, model no. 387, usually referred to as a black-bottom vase. It sold just below its low estimate of $50,000, realizing $53,125, with buyer’s premium.

Tiffany Studios turtleback inkwell, Rago lot #143

I’ve been following the travels of lot #143 for a few years. Originally it sold to a dealer at Nadeau’s Auction in Windsor, Connecticut on October 30, 2010 for $37,500. That dealer sold it to a collector (who I now assume was Jerome Shaw) for $75,000. At this sale it sold within its pre-sale estimate of $40,000 – $60,000, realizing $53,125, including buyer’s premium, a loss for Shaw. I’ve always loved this item for both its beauty and rarity. If I were just a collector, I would have tried to buy it.

For the complete results of the sale, click here.


I just bought this killer Martin Brother 11½-inch bird.

I just bought this killer Martin Brother 11½-inch bird.

I’ve been listing on my website many of the new items I’ve recently purchased and I’ll be listing more in the near future, including a couple of fabulous Martin Brothers birds and a great face jug. Please check my site as often as you can.

No more shows in 2016. Our next show will be the NYC Big Flea, the weekend of January 21, at the Lexington Avenue Armory. After that we’ll be in Miami for the Miami Antiques + Art + Design Show, February 3 – 5, 2017. This is the airport show, which will be new and improved, with many additional exhibitors. The changes are happening because the Original Miami Beach Antiques Show will no longer be in Miami Beach, instead changing its name to The Original Miami Antique Show and moving to a new location in southwest Miami. It will all make for an interesting winter season.

Click here to check my website for the latest items and to look around. I will update it as often as time permits. We’re still very much in business between shows, so please don’t hesitate to email or call. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Exceptional results for two Emile Gallé lamps at Rago’s Mid-Mod sale, October 15, 2016

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


I meant to write about this sale earlier, but life got in the way. So here goes. Rago Auctions held their Mid-Mod sale on October 15, 2016. Included in the sale was a small collection of Gallé lamps and vases. The two lamps sold very well, while the rest of the Gallé basically flopped.

Gallé floor lamp, Rago lot #532

Gallé floor lamp, Rago lot #532

Lot #532 was a Gallé floor lamp with allium floral decoration. Other than the rarity, I thought the glass was unexceptional, with only one technique (acid-etching) and uninspiring brown and green colors. On the other hand, the metalwork was fine and floor lamps are really rare. The bidders did not consult me and pushed the final price to $310,000, including buyer’s premium, against a pre-sale estimate of $150,000 – $200,000. The air gets kinda thin at that altitude.

Gallé Allium table lamp, Rago lot #533

Gallé Allium table lamp, Rago lot #533

The next lot, #533, appeared to be a companion table lamp, which in my opinion was finer and more graceful than the floor lamp. It didn’t do as well, realizing $43,750, including buyer’s premium, against an estimate of $40,000 – $60,000.

Most of the other Gallé offered for sale did not sell, with a few exceptions. It was a mixed day for French glass at Rago’s.


I just bought this killer Martin Brother 11½-inch bird.

I just bought this killer Martin Brother 11½-inch bird.

I’ve been listing on my website many of the new items I’ve recently purchased and I’ll be listing more in the near future, including a couple of fabulous Martin Brothers birds and a great face jug. Please check my site as often as you can.

No more shows in 2016. Our next show will be the NYC Big Flea, the weekend of January 21, at the Lexington Avenue Armory. After that we’ll be in Miami for the Miami Antiques + Art + Design Show, February 3 – 5, 2017. This is the airport show, which will be new and improved, with many additional exhibitors. The changes are happening because the Original Miami Beach Antiques Show will no longer be in Miami Beach, instead changing its name to The Original Miami Antique Show and moving to a new location in southwest Miami. It will all make for an interesting winter season.

Click here to check my website for the latest items and to look around. I will update it as often as time permits. We’re still very much in business between shows, so please don’t hesitate to email or call. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Rago Auctions Early 20th C. Design|Mid-Mod sale included French glass, June 4, 2016

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


Rago Auctions held an Early 20th C. Design|Mid-Mod sale on June 4, 2016. The sale included ceramics, furniture and glass, but I will focus only on the French glass.

Daum Winter lamp, Rago lot #328

Daum Winter lamp, Rago lot #328

Top lot of the group was #328, a Daum Winter lamp. It sold for $13,750, including buyer’s premium, against a pre-sale estimate of $7,000 – $10,000 — surprising to me because the lamp was a marriage. You can see the different color schemes in the shade and base, with bright yellow in the shade and much darker colors in the base. An original lamp would have a matching shade and base.

Gallé banjo vase with cicada, Rago lot #338

Gallé banjo vase with cicada, Rago lot #338

Lot #338 was a rare Gallé banjo vase with a cicada. It sold reasonably for $2,125, including buyer’s premium, against a pre-sale estimate of $1,000 – $1,500. I was the underbidder and should have bid higher, but everything is 20/20 in hindsight.

R. Lalique perfume bottle Ambre de Siam, Rago lot #321

R. Lalique perfume bottle Ambre de Siam, Rago lot #321

A rare R. Lalique perfume bottle Ambre de Siam, Rago lot #321, sold for $10,000, including buyer’s premium, — below its pre-sale estimate of $10,000 – $15,000.

For the complete results of the sale, click here.


Denver, July 15-17, 2016

Denver, July 15-17, 2016

No shows until July, when we’ll be in Denver for the Denver World Wide Antique Show, July 15-17, 2016. In the meantime, we’re very much in business, so call or email me with your wants or items for sale. If you have what I’m looking for, I’m paying the highest prices. My decisions are quick and my payments just as quick. Just snap a photo and email it to me.

I always strive to offer the finest objects for sale on my website and at every show. I will continue to list more as often as possible. Please click here to take a look.There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Some good results at Rago Auctions, February 26-27, 2016

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


David Rago Auctions held several sales this past weekend, including some that were single-owner. Some interesting results for glass and lamps were achieved (the only areas that I cover).

Tiffany Dragonfly chandelier, Rago lot #1

Tiffany Dragonfly chandelier, Rago lot #1

One single-owner sale from New Jersey was entitled Una Buona Vita. It began with Tiffany lamps, including the cover lot, a 28″ diameter Dragonfly chandelier. It sold within its pre-sale estimated range of $75,000 – $100,000, realizing $100,000, including buyer’s premium.

Argy-Rousseau pâte-de-verre Papyrus vase, Rago lot #48

Argy-Rousseau pâte-de-verre Papyrus vase, Rago lot #48

In the same sale, an Argy-Rousseau pâte-de-verre Papyrus vase sold well beyond its pre-sale estimate of $2,000 – $3,000, realizing $15,000, including buyer’s premium. The estimate was intentionally low because the vase had a restored drill hole in the base. There’s going to be one unhappy buyer if they didn’t know.

Jacquemard vase, Rago lot #468

Jacquemard vase, Rago lot #468

The most interesting result of the Saturday Early 20th Century Design sale was lot #468, a beautifully wheel-carved vase with a grasshopper and fancy engraving underneath, including “Emile Gallé fct 1895”. I haven’t been able to figure out exactly who made this vase, nor if it was actually made at the Gallé factory. Rago attributed the vase to J. Jacquemard, who possibly did it while working at Gallé. Regardless of my lack of knowledge, the bidding was very active, allowing this grasshopper to jump to a final price of $37,500, including buyer’s premium, against a pre-sale estimate of $9,000 – $12,000.

For the results of the various sales, click here.


Click on this image to buy tickets

Click on this image to buy tickets

Our next show is not until April 15th, when we’ll be at the Chicago Botanic Garden, in Glencoe, IL, for the Garden, Antique & Design Show. It’s a beautiful show with both antiques and gardening, that you’ll absolutely enjoy. We only have two remaining shows in the greater Chicago area, so come and say hi!

If you’re selling, please let me know. If you have what I’m looking for, I’m paying the highest prices. My decisions are quick and my payments just as quick. Just snap a photo and email it to me.

I always strive to offer the finest objects for sale on my website and at every show. I will continue to list more as often as possible. Please click here to take a look.There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

I’m happy because I didn’t buy much at auction this past weekend

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


I bid at five auctions this past weekend hoping to buy a few items at reasonable prices. I’m happy to report that prices were strong, so I bought almost nothing. Happy, because if prices are strong, the market is good, and I love a good market.

Martin Brothers musicians, Leland Little lot #373

Martin Brothers musicians, Leland Little lot #373

One lot was #373 at Leland Little’s Fall Catalogue Auction in Hillsborough, NC, on Saturday, September 12, 2015. Three Martin Brothers stoneware musicians (two in perfect condition, one restored) were estimated to sell for $2,000 – $4,000, but sold well beyond my budget, for $8,850, including buyer’s premium. For the complete results of the sale, click here.

Joseph Frances Kernan, Rago lot #2715

Joseph Frances Kernan, Rago lot #2715

The day before, I got a bigger surprise at Rago’s Great Estates auction, Friday, September 11, 2015. I noticed a couple of interesting American Illustration paintings in the manner of Norman Rockwell. Both were by Joseph Francis Kernan, an artist I didn’t know very well, but whose work I admired. Lot #2714 carried a pre-sale estimate of $1,500 – $2,000 and sold for $11,875 after serious competitive bidding from two phone bidders. The same two bid the next lot, #2715, to $17,500, against a pre-sale estimate of $3,000 – $5,000. I was hoping to buy them at or below the low estimates. Goes to show you what I know.

Newcomb College scenic vase, Brunk lot #313

Newcomb College scenic vase, Brunk lot #313

Brunk Auctions may or may not have sold a lovely, large (10¾”) Newcomb College vase for $9,600, including buyer’s premium. I say may or may not because I really don’t know. The pre-sale estimate was $4,000 – $8,000. Auction houses never permit reserves higher than the low estimates, so once the bidding reaches the low estimate, an item is supposed to be sold. The hammer price reached $8,000, so it certainly appeared to have sold, but it’s listed on liveauctioneers as “Lot passed. No bid history.” I assume there’s a good explanation, but as of the publication of this blog post, I don’t know it. I wrote directly to Andrew Brunk, the owner of Brunk Auctions, and he responded that he didn’t know of the problem. It was his understanding that the vase sold at auction for $9,600.

In the meantime, I’ll keep plugging away and get my fair share. Luckily I also have private sources for my goodies, so I hope to be outbid at every auction.


nyc-big-flea-9-2015Our next show will be The Big Flea Market at Pier 94 in New York City, September 26-27. Last year was the first time for this show and it was good. The attendees were completely different than the established Pier Antique Show that takes place in November and March each year, making it a totally different experience.

Click here to check my website for the latest items and to look around. I will update it as often as time permits. We’re still very much in business between shows, so please don’t hesitate to email or call. I always strive to offer the finest objects for sale on my website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps. And remember to keep reading my blog.

Good results at Rago Auction’s Early 20th Century Decorative Arts Auction, October 18, 2014

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.


Rago Auctions held their Early 20th Century Decorative Arts Auction on October 18, 2014, with some good results, led by items from Newcomb College and Emile Gallé.

Newcomb College five-tile frieze, Rago lot #99

Newcomb College five-tile frieze, Rago lot #99

Top lot of the sale was a tie between lot 99, a five-tile Newcomb College frieze and lot 286, a Gallé lamp. Each went out the door at $81,250. That price was below the low estimate of $75,000 for the Newcomb tiles, but above the high estimate of $60,000 for the Gallé lamp.
Rare Gallé lamp, Rago lot #286

Rare Gallé lamp, Rago lot #286

Tiffany Studios  22" Drop-Head Dragonfly floor lamp, Rago lot #312

Tiffany Studios 22″ Drop-Head Dragonfly floor lamp, Rago lot #312

Several Tiffany Studios lamps were sold, mostly low-end. The exception was a Tiffany Studios 22″ Drop-Head Dragonfly floor lamp, consigned by the Los Angeles County Museum of Art. The color was only fair and there were a few minor condition issues, but the lamp still sold near the low estimate of $60,000, realizing $68,750, including buyer’s premium.

For the complete results of the sale, click here.


Morristown-10-2014
Our first show of four in a row will be held next weekend in New Jersey at the Morristown Armory, November 1-2. Then we travel to Chicago for the Antiques + Modernism Winnetka show, followed by the Kansas City Antiques Expo, ending up back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. We’ll spend a lot of time finding some great new items for our November circuit.

Click here to view our new website and look around. We always strive to offer the finest objects for sale on our website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps.

Why Do Vases Sell for More Than Bowls?

My goal is to publish new posts twice a week — Mondays and Thursdays. However, if you don’t see a new post on Thursday, it’s because I was too busy, so please look for a new one the following Monday.

Today’s guest post is by David Rago, republished with permission from Bidsquare. David Rago is Partner and Co-Director of the 20th/21st C. Design Department of the Rago Arts & Auction Center in Lambertville, New Jersey.


Unless you’re selling gold ingots or diamonds, most fine objects don’t have intrinsic monetary value. So why would anyone pay tens of thousands of dollars for a Tiffany vase? To truly understand value, you have to understand the mindset of a collector.

Tiffany Studios, Fine Favrile pottery bowl with tomatoes, green and ivory glaze, New York, ca. 1900. Sale Price: $13,750, Rago Arts & Auction Center

Tiffany Studios, Fine Favrile pottery bowl with tomatoes, green and ivory glaze, New York, ca. 1900. Sale Price: $13,750, Rago Arts & Auction Center

Tiffany Studios, Rare glazed earthenware milkweed vase, New York, 1900s. Sale Price: $42,500, Rago Arts & Auction Center

Tiffany Studios, Rare glazed earthenware milkweed vase, New York, 1900s. Sale Price: $42,500, Rago Arts & Auction Center

Let’s start by comparing vases and bowls. To simplify this exercise, assume you have a bowl and a vase made of the same material (pottery or glass, for example) by the same company, the same year, decorated by the same artist or one of similar value, in the same condition, and even the same size, though one is measured in height and the other in width. We’re pretty much talking about the same piece with that one notable exception. Would the value really be different?

Grueby, Large low bowl carved with leaves, Boston, MA, ca. 1905. Sale Price: $1,625, Rago Arts & Auction Center

Grueby, Large low bowl carved with leaves, Boston, MA, ca. 1905. Sale Price: $1,625, Rago Arts & Auction Center

Grueby, Vase with buds and leaves, Boston, MA, ca. 1905. Sale Price: $2,125, Rago Arts & Auction Center

Grueby, Vase with buds and leaves, Boston, MA, ca. 1905. Sale Price: $2,125, Rago Arts & Auction Center

For starters, a bowl takes up nearly twice as much space on a collector’s shelf than a vase. Few people have unlimited yardage in their china cabinets or fireplace mantels, and many collectors eventually trade bowls for thinner works.

Second, and this is no small factor, a bowl doesn’t show off an artist’s work as well as a vase. If you don’t have a vase and a bowl sitting in front of you, envision how the vertical flow of the artistry is easier to read on a vase. Even if an artist “works with the form” when decorating a bowl, choosing a trailing vine or a lyrical floral design, the decoration has to wind around the bottom of the piece, at best rising just a few inches above the shelf.

Additionally, because most bowls flare as they rise, and since most light sources shine from above, the decoration on a bowl is usually not lit nearly as well as it would be on a vase form. A collector has to be very sensitive to lighting and placement to show off a bowl properly if for no other reason than this.

Unusual Rookwood Wax Matte bowl painted by Louise Abel with red blossoms on a mustard ground, the interior covered in a mottled burnt sienna glaze, 1924. Sale Price: $764, Rago Arts & Auction Center

Unusual Rookwood Wax Matte bowl painted by Louise Abel with red blossoms on a mustard ground, the interior covered in a mottled burnt sienna glaze, 1924. Sale Price: $764, Rago Arts & Auction Center

Rookwood Wax Matte vase painted by Mary Helen McDonald and/or Louise Abel with purple nicotina plants on a raspberry ground, 1922. Sale Price: $1,920, Rago Arts & Auction Center

Rookwood Wax Matte vase painted by Mary Helen McDonald and/or Louise Abel with purple nicotina plants on a raspberry ground, 1922. Sale Price: $1,920, Rago Arts & Auction Center

Finally, bowls are more easily damaged than vases. A blow from above will often glance off of a straight sided vase. But the shape of a bowl, broad and flat, will often absorb the same level of impact, resulting in a chip or a crack. And bowls are more often employed in a way that can increase the likelihood of benign neglect. How many people have you seen force narcissus bulbs in a vase? Bowls are often available with flower frogs for this express purpose. The safest place for a valuable pot is in a cabinet or a high shelf, not the dining room table.


No shows until November, when we have four in a row. We’ll start in New Jersey at the Morristown Armory, then travel to Chicago for the Antiques + Modernism Winnetka show, followed by the Kansas City Antiques Expo, ending up back at the Pier in NYC for the usual November show. Remember to check my website for the latest items and keep reading my blog. We’ll spend a lot of time finding some great new items for our November circuit.

Click here to view our new website and look around. We always strive to offer the finest objects for sale on our website and at every show. There are many items for sale, sold items with prices and free lessons about glass and lamps.