The road to knowledge is filled with potholes, part II

An authentic Tiffany Acorn lamp, similar to the reproduction I purchased

An authentic Tiffany Acorn lamp, similar to the reproduction I purchased

In the 1970s, I thought I had made friends with an auctioneer named Jerry Schuster. He had an auction house in New Windsor, NY, about an hour north of NYC. I visited him one day while driving past. He had what he said was a Tiffany Acorn lamp. In the years since my first signed lamp purchase, I was becoming an expert in Handel reverse-painted lamps. There were no Handel reverse-painted reproductions on the market, so getting a good education wasn’t that difficult. I had never purchased any leaded lamps because there were reproductions around and I couldn’t tell the difference. Jerry didn’t have the best reputation, so I asked him if he would guarantee the authenticity of the lamp. I remember what he said almost verbatim. “I don’t guarantee anything, but I guarantee this lamp to you.” So I paid him a fortune for the lamp, about $3,000.

I took the lamp home and made some calls to collectors and dealers, including Alice Osofsky, an old-time dealer. She came to my house with a friend, and after examining the lamp, told me the lamp was a reproduction. My heart sank, so I called other dealers and they all agreed – the lamp was a fake.

No problem! I’ll call Jerry and he’ll give me my money back because he guaranteed it to me. “Jerry, the lamp is a reproduction, so I’m returning it.” “What are you talking about, Phil? If you have an expert to say it’s a reproduction, I have another one to say it’s not.” Again, this is almost verbatim. So this was one costly lesson. I sold it to another dealer, telling him the truth that I was told it was a reproduction. I took a big loss on the lamp, but it was gone and at least I recovered some of my money.

Fast forward a few years to 1979. I was sitting in my car on Canal Street in Manhattan, listening to the news, when the announcer told of the arrest of an auctioneer from Westchester County, named Jerry Schuster. I started whooping and hollering and jumping up and down in my car. Sorry, folks, but I’m not a saint. I was as happy as a clam. In 1980, a Federal District Court in Manhattan found Schuster guilty of knowingly selling paintings with forged signatures of famous artists and reproducing Tiffany-style lamps with unauthorized Tiffany imprints. Jerry was sentenced to a year and a day in prison, plus four years probation and a $10,000 fine. Nice guy that he was, he was re-arrested and in 1990, he was convicted of conspiracy, bank fraud, mail fraud, and wire fraud in connection with an insurance scam involving a damaged painting. He was sentenced to three years in prison and prohibited from working in the art, antiques or auction field for three years after his release. You’d think he would have learned his lesson, but again in 2000, his art gallery agreed to refund an estimated $111,000 to 18 defrauded customers, and pay $45,000 to the Attorney General’s office for their legal costs. (Thanks to the International Foundation for Art Research for the exact information above.)

And now I have my own blog and I can tell Jerry and the rest of the world, it couldn’t have happened to a nicer guy!

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail or 516-922-2090. And please visit my website. chasenantiques.com

One of the perks of the business – a visit to the Blacker House

Harvey and Ellen Knell in front of their home, the Blacker House

Harvey and Ellen Knell in front of their home, the Blacker House

The entry hall of the Blacker House

The entry hall of the Blacker House

The Blacker House was named after the lumber magnate, Robert Rue Blacker. It’s an original Greene & Greene house that dates to 1907. It was magnificently appointed with custom furniture, lighting, doors and windows, all in the finest Arts & Crafts manner. The Blackers lived there until 1944, when Robert Blacker’s widow Nellie, died. Subsequently, the house was owned by several people — one of whom sold all the furniture and the fireplace surrounds. Later in its history, the property was subdivided, but the main house remained intact with all of its light fixtures, windows and doors.

The next owner was Marjorie Hill and her husband, who lived there for about 35 years.

In 1985, a Texas collector, Barton English, purchased the home from Marjorie Hill for approximately $1,000,000. Without ever living in the house, he started stripping everything he could, including about 60 light fixtures, the magnificent stained glass entry doors and most of the stained glass windows. After selling just a few of the light fixtures, he recouped all of the money from his purchase of the house. The Pasadena locals became enraged and referred to this travesty as a “rape”. They forced the city to pass an emergency ordinance, which stopped English in his tracks. Had he been allowed to continue, the tile fireplaces would also have been removed, as well as the wood paneling, etc.

One more family owned it before Harvey and Ellen Knell bought it in 1994. Since then, the Knells have spent considerable time, effort and money in lovingly restoring it to its former glory, including faithfully reproducing the missing light fixtures and furniture.

The dining room of the Blacker House

The dining room of the Blacker House

The Knells were kind enough on this trip to Pasadena, to invite us to view their magnificent home.  What a treat!  They did extensive research to uncover the original details and hired today’s finest craftsmen to recreate them.  Whatever had been ruined by neglect, earthquake or other disaster, both natural and man-made, was reversed.  In some cases, the Knells were able to buy back the original furnishings or architectural elements and restore them to their original places in the house.   Unfortunately for the Knells, some of the items, like the octagonal lighting fixtures in the living room, have become prohibitively expensive, making it nearly impossible to restore all of the items to their original locations.

The living room of the Blacker House

The living room of the Blacker House

So a big thank you to the Knells for their gracious hospitality.

Please send me your suggestions or questions about art glass, lamps, Louis Icart, shows, auctions, etc. If it’s interesting, I’ll answer your question in a future blog entry.

Call or write and let me know what you would like to buy, sell, or trade. philchasen@gmail or 516-922-2090. And please visit my website. chasenantiques.com